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The Mystery of Edwin Drood

英语 BooksWhale 版本 · Charles Dickens

A classic English-language work about disappearance, secrecy, obsession and an unfinished mystery.

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The Mystery of Edwin Drood

The Mystery of Edwin Drood explores disappearance, secrecy, obsession and an unfinished mystery. The work combines memorable characters, social observation and a sustained conflict between private desire, public expectation and moral choice.

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Charles Dickens died in 1870, and The Mystery of Edwin Drood was first published or composed in 1870. These dates support the public-domain basis for this original-language edition.

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The Mystery of Edwin Drood

Charles Dickens

预览章节CHAPTER I.预览

CHAPTER I.

预览章节THE DAWN预览

An ancient English Cathedral Tower? How can the ancient English Cathedral tower be here! The well-known massive gray square tower of its old Cathedral? How can that be here! There is no spike of rusty iron in the air, between the eye and it, from any point of the real prospect. What is the spike that intervenes, and who has set it up? Maybe it is set up by the Sultan’s orders for the impaling of a horde of Turkish robbers, one by one. It is so, for cymbals clash, and the Sultan goes by to his palace in long procession. Ten thousand scimitars flash in the sunlight, and thrice ten thousand dancing-girls strew flowers. Then, follow white elephants caparisoned in countless gorgeous colours, and infinite in number and attendants. Still the Cathedral Tower rises in the background, where it cannot be, and still no writhing figure is on the grim spike. Stay! Is the spike so low a thing as the rusty spike on the top of a post of an old bedstead that has tumbled all awry? Some vague period of drowsy laughter must be devoted to the consideration of this possibility.

Shaking from head to foot, the man whose scattered consciousness has thus fantastically pieced itself together, at length rises, supports his trembling frame upon his arms, and looks around. He is in the meanest and closest of small rooms. Through the ragged window-curtain, the light of early day steals in from a miserable court. He lies, dressed, across a large unseemly bed, upon a bedstead that has indeed given way under the weight upon it. Lying, also dressed and also across the bed, not longwise, are a Chinaman, a Lascar, and a haggard woman. The two first are in a sleep or stupor; the last is blowing at a kind of pipe, to kindle it. And as she blows, and shading it with her lean hand, concentrates its red spark of light, it serves in the dim morning as a lamp to show him what he sees of her.

“Another?” says this woman, in a querulous, rattling whisper. “Have another?”

He looks about him, with his hand to his forehead.

“Ye’ve smoked as many as five since ye come in at midnight,” the woman goes on, as she chronically complains. “Poor me, poor me, my head is so bad. Them two come in after ye. Ah, poor me, the business is slack, is slack! Few Chinamen about the Docks, and fewer Lascars, and no ships coming in, these say! Here’s another ready for ye, deary. Ye’ll remember like a good soul, won’t ye, that the market price is dreffle high just now? More nor three shillings and sixpence for a thimbleful! And ye’ll remember that nobody but me (and Jack Chinaman t’other side the court; but he can’t do it as well as me) has the true secret of mixing it? Ye’ll pay up accordingly, deary, won’t ye?”

She blows at the pipe as she speaks, and, occasionally bubbling at it, inhales much of its contents.

“O me, O me, my lungs is weak, my lungs is bad! It’s nearly ready for ye, deary. Ah, poor me, poor me, my poor hand shakes like to drop off! I see ye coming-to, and I ses to my poor self, ‘I’ll have another ready for him, and he’ll bear in mind the market price of opium, and pay according.’ O my poor head! I makes my pipes of old penny ink-bottles, ye see, deary—this is one—and I fits-in a mouthpiece, this way, and I takes my mixter out of this thimble with this little horn spoon; and so I fills, deary. Ah, my poor nerves! I got Heavens-hard drunk for sixteen year afore I took to this; but this don’t hurt me, not to speak of. And it takes away the hunger as well as wittles, deary.”

目录

本版本内容

  1. 01Full text
  2. 02CHAPTER I.
  3. 03THE DAWN
  4. 04CHAPTER II.
  5. 05A DEAN, AND A CHAPTER ALSO
  6. 06CHAPTER III.
  7. 07THE NUNS’ HOUSE
  8. 08CHAPTER IV.
  9. 09MR. SAPSEA
  10. 10ETHELINDA,
  11. 11MR. THOMAS SAPSEA,
  12. 12OF THIS CITY.
  13. 13A SPIRIT
  14. 14LOOKING UP TO HIM.
  15. 15STRANGER, PAUSE
  16. 16CANST THOU DO LIKEWISE?
  17. 17WITH A BLUSH RETIRE.
  18. 18CHAPTER V.
  19. 19MR. DURDLES AND FRIEND
  20. 20CHAPTER VI.
  21. 21PHILANTHROPY IN MINOR CANON CORNER
  22. 22CHAPTER VII.
  23. 23MORE CONFIDENCES THAN ONE
  24. 24CHAPTER VIII.
  25. 25DAGGERS DRAWN
  26. 26CHAPTER IX.
  27. 27BIRDS IN THE BUSH
  28. 28CHAPTER X.
  29. 29SMOOTHING THE WAY
  30. 30CHAPTER XI.
  31. 31A PICTURE AND A RING
  32. 32P J T
  33. 33CHAPTER XII.
  34. 34A NIGHT WITH DURDLES
  35. 35CHAPTER XIII.
  36. 36BOTH AT THEIR BEST
  37. 37CHAPTER XIV.
  38. 38WHEN SHALL THESE THREE MEET AGAIN?
  39. 39CHAPTER XV.
  40. 40IMPEACHED
  41. 41CHAPTER XVI.
  42. 42DEVOTED
  43. 43CHAPTER XVII.
  44. 44PHILANTHROPY, PROFESSIONAL AND UNPROFESSIONAL
  45. 45CHAPTER XVIII.
  46. 46A SETTLER IN CLOISTERHAM
  47. 47CHAPTER XIX.
  48. 48SHADOW ON THE SUN-DIAL
  49. 49CHAPTER XX.
  50. 50A FLIGHT
  51. 51CHAPTER XXI.
  52. 52A RECOGNITION
  53. 53CHAPTER XXII.
  54. 54A GRITTY STATE OF THINGS COMES ON
  55. 55CHAPTER XXIII.
  56. 56THE DAWN AGAIN
  57. 57HOW MR. SAPSEA CEASED TO BE A MEMBER OF THE EIGHT CLUB
  58. 58TOLD BY HIMSELF
  59. 59II

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