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The Clever Woman of the Family

英语 BooksWhale 版本 · Charlotte Mary Yonge

A Victorian family novel about good intentions, charity, and unintended harm.

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The Clever Woman of the Family

Rachel Curtis believes that intelligence and benevolence can solve every social problem, but her charitable projects collide with pride, class assumptions, romance, and the complexity of real lives.

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Charlotte Mary Yonge died in 1901; The Clever Woman of the Family was first published or performed in 1865. This entry uses the original English text.

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The Clever Woman of the Family

Charlotte Mary Yonge

预览章节THE CLEVER WOMAN OF THE FAMILY预览

by Charlotte M. Yonge

预览章节CHAPTER I. IN SEARCH OF A MISSION预览

“Thou didst refuse the daily round Of useful, patient love, And longedst for some great emprise Thy spirit high to prove.”—C. M. N.

“Che mi sedea con l’antica Rachele.”—DANTE.

“It is very kind in the dear mother.”

“But what, Rachel? Don’t you like it? She so enjoyed choosing it for you.”

“Oh yes, it is a perfect thing in its way. Don’t say a word to her; but if you are consulted for my next birthday present, Grace, couldn’t you suggest that one does cease to be a girl.”

“Only try it on, Rachel dear, she will be pleased to see you in it.”

“Oh yes, I will bedizen myself to oblige her. I do assure you I am not ungrateful. It is beautiful in itself, and shows how well nature can be imitated; but it is meant for a mere girl, and this is the very day I had fixed for hauling down the flag of youth.”

“Oh, Rachel.”

“Ah, ha! If Rachel be an old maid, what is Grace? Come, my dear, resign yourself! There is nothing more unbecoming than want of perception of the close of young-ladyhood.”

“Of course I know we are not quite young girls now,” said Grace, half perplexed, half annoyed.

“Exactly, from this moment we are established as the maiden sisters of Avonmouth, husband and wife to one another, as maiden pairs always are.”

“Then thus let me crown, our bridal,” quoth Grace, placing on her sister’s head the wreath of white roses.

“Treacherous child!” cried Rachel, putting up her hands and tossing her head, but her sister held her still.

“You know brides always take liberties. Please, dear, let it stay till the mother has been in, and pray don’t talk before her of being so very old.”

“No, I’ll not be a shock to her. We will silently assume our immunities, and she will acquiesce if they come upon her gradually.”

Grace looked somewhat alarmed, being perhaps in some dread of immunities, and aware that Rachel’s silence would in any one else have been talkativeness.

“Ah, mother dear, good morning,” as a pleasant placid-looking lady entered, dressed in black, with an air of feeble health, but of comely middle age.

Birthday greetings, congratulations, and thanks followed, and the mother looked critically at the position of the wreath, and Rachel for the first time turned to the glass and met a set of features of an irregular, characteristic cast, brow low and broad, nose retroussé , with large, singularly sensitive nostrils quivering like those of a high-bred horse at any emotion, full pouting lips, round cheeks glowing with the freshest red, eyes widely opened, dark deep grey and decidedly prominent, though curtained with thick black lashes. The glossy chestnut hair partook of the redundance and vigour of the whole being, and the roses hung on it gracefully though not in congruity with the thick winter dress of blue and black tartan, still looped up over the dark petticoat and hose, and stout high-heeled boots, that like the grey cloak and felt hat bore witness to the early walk. Grace’s countenance and figure were in the same style, though without so much of mark or animation; and her dress was of like description, but less severely plain.

“Yes, my dear, it looks very well; and now you will oblige me by not wearing that black lace thing, that looks fit for your grandmother.”

“Poor Lovedy Kelland’s aunt made it, mother, and it was very expensive, and wouldn’t sell.”

“No wonder, I am sure, and it was very kind in you to take it off their hands; but now it is paid for, it can’t make much difference whether you disfigure yourself with it or not.”

“Oh yes, dear mother, I’ll bind my hair when you bid me do it and really these buds do credit to the makers. I wonder whether they cost them as dear in health as lace does,” she added, taking off the flowers and examining them with a grave sad look.

目录

本版本内容

  1. 01Full text
  2. 02THE CLEVER WOMAN OF THE FAMILY
  3. 03CHAPTER I. IN SEARCH OF A MISSION
  4. 04CHAPTER II. RACHEL’S DISCIPLINE
  5. 05JEAN INGELOW.
  6. 06CHAPTER III. MACKAREL LANE
  7. 07ELIZABETH BARRETT BROWNING.
  8. 08CHAPTER IV. THE HERO.
  9. 09CHAPTER V. MILITARY SOCIETY.
  10. 10CHAPTER VI. ERMINE’S RESOLUTION
  11. 11CHAPTER VII. WAITNG FOR ROSE
  12. 12CHAPTER VIII. WOMAN’S MISSION DISCOVERED.
  13. 13CHAPTER IX. THE NEW SPORT
  14. 14CHAPTER X. THE PHILANTHROPIST.
  15. 15CHAPTER XI. LADY TEMPLE’S TROUBLES.
  16. 16CHAPTER XII. A CHANGE AT THE PARSONAGE.
  17. 17CHAPTER XIII. THE FOX AND THE CROW.
  18. 18JANE TAYLOR.
  19. 19CHAPTER XIV. THE GOWANBRAE BALL.
  20. 20CHAPTER XV. GO AND BRAY
  21. 21CHAPTER XVI. AN APPARITION.
  22. 22JOANNA BAILLIE.
  23. 23CHAPTER XVII. THE SIEGE.
  24. 24E. E.
  25. 25E. E.”
  26. 26CHAPTER XVIII. THE FORLORN HOPE.
  27. 27CHAPTER XIX. THE BREWST SHE BREWED.
  28. 28CHAPTER XX. THE SARACEN’S HEAD.
  29. 29CHAPTER XXI. THE QUARTER SESSIONS.
  30. 30CHAPTER XXII. THE AFTER CLAP
  31. 31CHAPTER XXIII. DEAR ALEXANDER.
  32. 32CHAPTER XXIV. THE HONEYMOON.
  33. 33CHAPTER XXV. THE HUNTSFORD CROQUET.
  34. 34—MME. E. DE GIRARDIN.
  35. 35CHAPTER XXVI. THE END OF CLEVERNESS.
  36. 36CHAPTER XXVII. THE POST BAG.
  37. 37C. G. DUFFY.
  38. 38“5 P. M.
  39. 39“E. W.” CHAPTER XXVIII. VANITY OF VANITIES.
  40. 40TENNYSON.
  41. 41CHAPTER XXIX. AT LAST.
  42. 42R. KEITH.
  43. 43CHAPTER XXX. WHO IS THE CLEVER WOMAN?

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