The Europeans

The Europeans

Henry James

A narrow grave-yard in the heart of a bustling, indifferent city, seen from the windows of a gloomy-looking inn, is at no time an object of enlivening suggestion; and the spectacle is not at its best when the mouldy tombstones and funereal umbrage have received the ineffectual refreshment of a dull, moist snow-fall. If, while the air is thickened by this frosty drizzle, the calendar should happen to indicate that the blessed vernal season is already six weeks old, it will be admitted that no depressing influence is absent from the scene. This fact was keenly felt on a certain 12th of May, upwards of thirty years since, by a lady who stood looking out of one of the windows of the best hotel in the ancient city of Boston. She had stood there for half an hour—stood there, that is, at intervals; for from time to time she turned back into the room and measured its length with a restless step. In the chimney-place was a red-hot fire which emitted a small blue flame; and in front of the fire, at a table, sat a young man who was busily plying a pencil. He had a number of sheets of paper cut into small equal squares, and he was apparently covering them with pictorial designs—strange-looking figures. He worked rapidly and attentively, sometimes threw back his head and held out his drawing at arm’s-length, and kept up a soft, gay-sounding humming and whistling. The lady brushed past him in her walk; her much-trimmed skirts were voluminous. She never dropped her eyes upon his work; she only turned them, occasionally, as she passed, to a mirror suspended above the toilet-table on the other side of the room. Here she paused a moment, gave a pinch to her waist with her two hands, or raised these members—they were very plump and pretty—to the multifold braids of her hair, with a movement half caressing, half corrective. An attentive observer might have fancied that during these periods of desultory self-inspection her face forgot its melancholy; but as soon as she neared the window again it began to proclaim that she was a very ill-pleased woman. And indeed, in what met her eyes there was little to be pleased with. The window-panes were battered by the sleet; the head-stones in the grave-yard beneath seemed to be holding themselves askance to keep it out of their faces. A tall iron railing protected them from the street, and on the other side of the railing an assemblage of Bostonians were trampling about in the liquid snow. Many of them were looking up and down; they appeared to be waiting for something. From time to time a strange vehicle drew near to the place where they stood,—such a vehicle as the lady at the window, in spite of a considerable acquaintance with human inventions, had never seen before: a huge, low omnibus, painted in brilliant colors, and decorated apparently with jangling bells, attached to a species of groove in the pavement, through which it was dragged, with a great deal of rumbling, bouncing and scratching, by a couple of remarkably small horses. When it reached a certain point the people in front of the grave-yard, of whom much the greater number were women, carrying satchels and parcels, projected themselves upon it in a compact body—a movement suggesting the scramble for places in a life-boat at sea—and were engulfed in its large interior. Then the life-boat—or the life-car, as the lady at the window of the hotel vaguely designated it—went bumping and jingling away upon its invisible wheels, with the helmsman (the man at the wheel) guiding its course incongruously from the prow. This phenomenon was repeated every three minutes, and the supply of eagerly-moving women in cloaks, bearing reticules and bundles, renewed itself in the most liberal manner. On the other side of the grave-yard was a row of small red brick houses, showing a series of homely, domestic-looking backs; at the end opposite the hotel a tall wooden church-spire, painted white, rose high into the vagueness of the snow-flakes. The lady at the window looked at it for some time; for reasons of her own she thought it the ugliest thing she had ever seen. She hated it, she despised it; it threw her into a state of irritation that was quite out of proportion to any sensible motive. She had never known herself to care so much about church-spires.

The next day was splendid, as Felix had prophesied; if the winter had suddenly leaped into spring, the spring had for the moment as quickly leaped into summer. This was an observation made by a young girl who came out of a large square house in the country, and strolled about in the spacious garden which separated it from a muddy road. The flowering shrubs and the neatly-disposed plants were basking in the abundant light and warmth; the transparent shade of the great elms—they were magnificent trees—seemed to thicken by the hour; and the intensely habitual stillness offered a submissive medium to the sound of a distant church-bell. The young girl listened to the church-bell; but she was not dressed for church. She was bare-headed; she wore a white muslin waist, with an embroidered border, and the skirt of her dress was of colored muslin. She was a young lady of some two or three and twenty years of age, and though a young person of her sex walking bare-headed in a garden, of a Sunday morning in spring-time, can, in the nature of things, never be a displeasing object, you would not have pronounced this innocent Sabbath-breaker especially pretty. She was tall and pale, thin and a little awkward; her hair was fair and perfectly straight; her eyes were dark, and they had the singularity of seeming at once dull and restless—differing herein, as you see, fatally from the ideal “fine eyes,” which we always imagine to be both brilliant and tranquil. The doors and windows of the large square house were all wide open, to admit the purifying sunshine, which lay in generous patches upon the floor of a wide, high, covered piazza adjusted to two sides of the mansion—a piazza on which several straw-bottomed rocking-chairs and half a dozen of those small cylindrical stools in green and blue porcelain, which suggest an affiliation between the residents and the Eastern trade, were symmetrically disposed. It was an ancient house—ancient in the sense of being eighty years old; it was built of wood, painted a clean, clear, faded gray, and adorned along the front, at intervals, with flat wooden pilasters, painted white. These pilasters appeared to support a kind of classic pediment, which was decorated in the middle by a large triple window in a boldly carved frame, and in each of its smaller angles by a glazed circular aperture. A large white door, furnished with a highly-polished brass knocker, presented itself to the rural-looking road, with which it was connected by a spacious pathway, paved with worn and cracked, but very clean, bricks. Behind it there were meadows and orchards, a barn and a pond; and facing it, a short distance along the road, on the opposite side, stood a smaller house, painted white, with external shutters painted green, a little garden on one hand and an orchard on the other. All this was shining in the morning air, through which the simple details of the picture addressed themselves to the eye as distinctly as the items of a “sum” in addition.

A second young lady presently came out of the house, across the piazza, descended into the garden and approached the young girl of whom I have spoken. This second young lady was also thin and pale; but she was older than the other; she was shorter; she had dark, smooth hair. Her eyes, unlike the other’s, were quick and bright; but they were not at all restless. She wore a straw bonnet with white ribbons, and a long, red, India scarf, which, on the front of her dress, reached to her feet. In her hand she carried a little key.

“Gertrude,” she said, “are you very sure you had better not go to church?”

Gertrude looked at her a moment, plucked a small sprig from a lilac-bush, smelled it and threw it away. “I am not very sure of anything!” she answered.