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Summer

Edizione BooksWhale in inglese di Edith Wharton

Wharton’s intense rural novella follows Charity Royall through desire, class constraint, shame, and the limits of escape.

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Summer

Summer is Edith Wharton’s compressed and unsparing story of Charity Royall, a young woman in a New England village whose longing for freedom collides with class, sexuality, poverty, and social judgment. Its rural setting gives Wharton’s social critique a different force from her New York novels.

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Author died in 1937; original text first published in 1917. These dates support the public-domain basis for this original-language edition.

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Summer

by Edith Wharton

A girl came out of lawyer Royall's house, at the end of the one street of North Dormer, and stood on the doorstep.

It was the beginning of a June afternoon. The springlike transparent sky shed a rain of silver sunshine on the roofs of the village, and on the pastures and larchwoods surrounding it. A little wind moved among the round white clouds on the shoulders of the hills, driving their shadows across the fields and down the grassy road that takes the name of street when it passes through North Dormer. The place lies high and in the open, and lacks the lavish shade of the more protected New England villages. The clump of weeping-willows about the duck pond, and the Norway spruces in front of the Hatchard gate, cast almost the only roadside shadow between lawyer Royall's house and the point where, at the other end of the village, the road rises above the church and skirts the black hemlock wall enclosing the cemetery.

The little June wind, frisking down the street, shook the doleful fringes of the Hatchard spruces, caught the straw hat of a young man just passing under them, and spun it clean across the road into the duck-pond.

As he ran to fish it out the girl on lawyer Royall's doorstep noticed that he was a stranger, that he wore city clothes, and that he was laughing with all his teeth, as the young and careless laugh at such mishaps.

Her heart contracted a little, and the shrinking that sometimes came over her when she saw people with holiday faces made her draw back into the house and pretend to look for the key that she knew she had already put into her pocket. A narrow greenish mirror with a gilt eagle over it hung on the passage wall, and she looked critically at her reflection, wished for the thousandth time that she had blue eyes like Annabel Balch, the girl who sometimes came from Springfield to spend a week with old Miss Hatchard, straightened the sunburnt hat over her small swarthy face, and turned out again into the sunshine.

“How I hate everything!” she murmured.

The young man had passed through the Hatchard gate, and she had the street to herself. North Dormer is at all times an empty place, and at three o'clock on a June afternoon its few able-bodied men are off in the fields or woods, and the women indoors, engaged in languid household drudgery.

In the course of that incredible day Charity Royall had, for the first and only time, experienced railway-travel, looked into shops with plate-glass fronts, tasted cocoanut pie, sat in a theatre, and listened to a gentleman saying unintelligible things before pictures that she would have enjoyed looking at if his explanations had not prevented her from understanding them. This initiation had shown her that North Dormer was a small place, and developed in her a thirst for information that her position as custodian of the village library had previously failed to excite. For a month or two she dipped feverishly and disconnectedly into the dusty volumes of the Hatchard Memorial Library; then the impression of Nettleton began to fade, and she found it easier to take North Dormer as the norm of the universe than to go on reading.

The sight of the stranger once more revived memories of Nettleton, and North Dormer shrank to its real size. As she looked up and down it, from lawyer Royall's faded red house at one end to the white church at the other, she pitilessly took its measure. There it lay, a weather-beaten sunburnt village of the hills, abandoned of men, left apart by railway, trolley, telegraph, and all the forces that link life to life in modern communities. It had no shops, no theatres, no lectures, no “business block”; only a church that was opened every other Sunday if the state of the roads permitted, and a library for which no new books had been bought for twenty years, and where the old ones mouldered undisturbed on the damp shelves. Yet Charity Royall had always been told that she ought to consider it a privilege that her lot had been cast in North Dormer. She knew that, compared to the place she had come from, North Dormer

Capitolo in anteprima“A WHAT?”Anteprima

“Why, you know----” He broke off, and she became conscious that he was looking at her for the first time, having apparently, on his entrance, included her in his general short-sighted survey as part of the furniture of the library.

The fact that, in discovering her, he lost the thread of his remark, did not escape her attention, and she looked down and smiled. He smiled also.

“No, I don't suppose you do know,” he corrected himself. “In fact, it would be almost a pity----”

She thought she detected a slight condescension in his tone, and asked sharply: “Why?”

“Because it's so much pleasanter, in a small library like this, to poke about by one's self--with the help of the librarian.”

He added the last phrase so respectfully that she was mollified, and rejoined with a sigh: “I'm afraid I can't help you much.”

“Why?” he questioned in his turn; and she replied that there weren't many books anyhow, and that she'd hardly read any of them. “The worms are getting at them,” she added gloomily.

“Are they? That's a pity, for I see there are some good ones.” He seemed to have lost interest in their conversation, and strolled away again, apparently forgetting her. His indifference nettled her, and she picked up her work, resolved not to offer him the least assistance. Apparently he did not need it, for he spent a long time with his back to her, lifting down, one after another, the tall cob-webby volumes from a distant shelf.

“Oh, I say!” he exclaimed; and looking up she saw that he had drawn out his handkerchief and was carefully wiping the edges of the book in his hand. The action struck her as an unwarranted criticism on her care of the books, and she said irritably: “It's not my fault if they're dirty.”

He turned around and looked at her with reviving interest. “Ah--then you're not the librarian?”

“Of course I am; but I can't dust all these books. Besides, nobody ever looks at them, now Miss Hatchard's too lame to come round.”

“No, I suppose not.” He laid down the book he had been wiping, and stood considering her in silence. She wondered if Miss Hatchard had sent him round to pry into the way the library was looked after, and the suspicion increased her resentment. “I saw you going into her house just now, didn't I?” she asked, with the New England avoidance of the proper name. She was determined to find out why he was poking about among her books.

“Miss Hatchard's house? Yes--she's my cousin and I'm staying there,” the young man answered; adding, as if to disarm a visible distrust: “My name is Harney--Lucius Harney. She may have spoken of me.”

“No, she hasn't,” said Charity, wishing she could have said: “Yes, she has.”

“Oh, well----” said Miss Hatchard's cousin with a laugh; and after another pause, during which it occurred to Charity that her answer had not been encouraging, he remarked: “You don't seem strong on architecture.”

Her bewilderment was complete: the more she wished to appear to understand him the more unintelligible his remarks became. He reminded her of the gentleman who had “explained” the pictures at Nettleton, and the weight of her ignorance settled down on her again like a pall.

“I mean, I can't see that you have any books on the old houses about here. I suppose, for that matter, this part of the country hasn't been much explored. They all go on doing Plymouth and Salem. So stupid. My cousin's house, now, is remarkable. This place must have had a past--it must have been more of a place once.” He stopped short, with the blush of a shy man who overhears himself, and fears he has been voluble. “I'm an architect, you see, and I'm hunting up old houses in these parts.”

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  2. 02“A WHAT?”

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