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The Black Dwarf

Edizione BooksWhale in inglese di Walter Scott

A reclusive outsider, a family feud, and a threatened wedding collide in Scott’s compact tale of injustice and revenge.

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The Black Dwarf

Set in the Scottish Borders after the 1707 Union, The Black Dwarf places social resentment and private vengeance against a landscape marked by political change. The mysterious figure of Elshender the Recluse challenges the community’s assumptions, while the plot links romance, inheritance, and the unresolved legacy of conflict.

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The original work was first published in 1816; Walter Scott died in 1832. The source text is in the public domain under the applicable author-life-plus-term rules. This edition is the original-language text.

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The Black Dwarf

Walter Scott

INTRODUCTION.

As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out to the judicious those recommendations of my labours which they must necessarily anticipate from the perusal of the title-page. Nevertheless, I am not unaware, that, as Envy always dogs Merit at the heels, there may be those who will whisper, that albeit my learning and good principles cannot (lauded be the heavens) be denied by any one, yet that my situation at Gandercleugh hath been more favourable to my acquisitions in learning than to the enlargement of my views of the ways and works of the present generation. To the which objection, if, peradventure, any such shall be started, my answer shall be threefold:

First, Gandercleugh is, as it were, the central part--the navel (SI FAS SIT DICERE) of this our native realm of Scotland; so that men, from every corner thereof, when travelling on their concernments of business, either towards our metropolis of law, by which I mean Edinburgh, or towards our metropolis and mart of gain, whereby I insinuate Glasgow, are frequently led to make Gandercleugh their abiding stage and place of rest for the night. And it must be acknowledged by the most sceptical, that I, who have sat in the leathern armchair, on the left-hand side of the fire, in the common room of the Wallace Inn, winter and summer, for every evening in my life, during forty years bypast (the Christian Sabbaths only excepted), must have seen more of the manners and customs of various tribes and people, than if I had sought them out by my own painful travel and bodily labour. Even so doth the tollman at the well-frequented turn-pike on the Wellbraehead, sitting at his ease in his own dwelling, gather more receipt of custom, than if, moving forth upon the road, he were to require a contribution from each person whom he chanced to meet in his journey, when, according to the vulgar adage, he might possibly be greeted with more kicks than halfpence.

But, secondly, supposing it again urged, that Ithacus, the most wise of the Greeks, acquired his renown, as the Roman poet hath assured us, by visiting states and men, I reply to the Zoilus who shall adhere to this objection, that, DE FACTO, I have seen states and men also; for I have visited the famous cities of Edinburgh and Glasgow, the former twice, and the latter three times, in the course of my earthly pilgrimage. And, moreover, I had the honour to sit in the General Assembly (meaning, as an auditor, in the galleries thereof), and have heard as much goodly speaking on the law of patronage, as, with the fructification thereof in mine own understanding, hath made me be considered as an oracle upon that doctrine ever since my safe and happy return to Gandercleugh.

Again--and thirdly, If it be nevertheless pretended that my information and knowledge of mankind, however extensive, and however painfully acquired, by constant domestic enquiry, and by foreign travel, is, natheless, incompetent to the task of recording the pleasant narratives of my Landlord, I will let these critics know, to their own eternal shame and confusion as well as to the abashment and discomfiture of all who shall rashly take up a song against me, that I am NOT the writer, redacter, or compiler, of the Tales of my Landlord; nor am I, in one single iota, answerable for their contents, more or less. And now, ye generation of critics, who raise yourselves up as if it were brazen serpents, to hiss with your tongues, and to smite with your stings, bow yourselves down to your native dust, and acknowledge that yours have been the thoughts of ignorance, and the words of vain foolishness. Lo! ye are caught in your own snare, and your own pit hath yawned for you. Turn, then, aside from the task that is too heavy for you; destroy not your teeth by gnawing a file; waste not your strength by spurning against a castle wall; nor spend your breath in contending in swiftness with a fleet steed; and let those weigh the Tales of my Landlord, who shall bring with them the scales of candour cleansed from the rust of prejudice by the hands of intelligent modesty. For these alone they were compiled, as will appear from a brief narrative which my zeal for truth compelled me to make supplementary to the present Proem.

Capitolo in anteprimaII. INTRODUCTION to THE BLACK DWARF.Anteprima

The ideal being who is here presented as residing in solitude, and haunted by a consciousness of his own deformity, and a suspicion of his being generally subjected to the scorn of his fellow-men, is not altogether imaginary. An individual existed many years since, under the author’s observation, which suggested such a character. This poor unfortunate man’s name was David Ritchie, a native of Tweeddale. He was the son of a labourer in the slate-quarries of Stobo, and must have been born in the misshapen form which he exhibited, though he sometimes imputed it to ill-usage when in infancy. He was bred a brush-maker at Edinburgh, and had wandered to several places, working at his trade, from all which he was chased by the disagreeable attention which his hideous singularity of form and face attracted wherever he came. The author understood him to say he had even been in Dublin.

Tired at length of being the object of shouts, laughter, and derision, David Ritchie resolved, like a deer hunted from the herd, to retreat to some wilderness, where he might have the least possible communication with the world which scoffed at him. He settled himself, with this view, upon a patch of wild moorland at the bottom of a bank on the farm of Woodhouse, in the sequestered vale of the small river Manor, in Peeblesshire. The few people who had occasion to pass that way were much surprised, and some superstitious persons a little alarmed, to see so strange a figure as Bow’d Davie (i.e. Crooked David) employed in a task, for which he seemed so totally unfit, as that of erecting a house. The cottage which he built was extremely small, but the walls, as well as those of a little garden that surrounded it, were constructed with an ambitious degree of solidity, being composed of layers of large stones and turf; and some of the corner stones were so weighty, as to puzzle the spectators how such a person as the architect could possibly have raised them. In fact, David received from passengers, or those who came attracted by curiosity, a good deal of assistance; and as no one knew how much aid had been given by others, the wonder of each individual remained undiminished.

The proprietor of the ground, the late Sir James Naesmith, baronet, chanced to pass this singular dwelling, which, having been placed there without right or leave asked or given, formed an exact parallel with Falstaff’s simile of a “fair house built on another’s ground;” so that poor David might have lost his edifice by mistaking the property where he had erected it. Of course, the proprietor entertained no idea of exacting such a forfeiture, but readily sanctioned the harmless encroachment.

The personal description of Elshender of Mucklestane-Moor has been generally allowed to be a tolerably exact and unexaggerated portrait of David of Manor Water. He was not quite three feet and a half high, since he could stand upright in the door of his mansion, which was just that height. The following particulars concerning his figure and temper occur in the SCOTS MAGAZINE for 1817, and are now understood to have been communicated by the ingenious Mr. Robert Chambers of Edinburgh, who has recorded with much spirit the traditions of the Good Town, and, in other publications, largely and agreeably added to the stock of our popular antiquities. He is the countryman of David Ritchie, and had the best access to collect anecdotes of him.

“His skull,” says this authority, “which was of an oblong and rather unusual shape, was said to be of such strength, that he could strike it with ease through the panel of a door, or the end of a barrel. His laugh is said to have been quite horrible; and his screech-owl voice, shrill, uncouth, and dissonant, corresponded well with his other peculiarities.

Capitolo in anteprimaIII. THE BLACK DWARF.Anteprima

III. THE BLACK DWARF.

Indice

In questa edizione

  1. 01Full text
  2. 02II. INTRODUCTION to THE BLACK DWARF.
  3. 03III. THE BLACK DWARF.
  4. 04CHAPTER I.
  5. 05CHAPTER II.
  6. 06CHAPTER III.
  7. 07CHAPTER IV.
  8. 08CHAPTER V.
  9. 09CHAPTER VI.
  10. 10CHAPTER VII.
  11. 11CHAPTER VIII.
  12. 12CHAPTER IX.
  13. 13CHAPTER X.
  14. 14CHAPTER XI.
  15. 15CHAPTER XII.
  16. 16CHAPTER XIII.
  17. 17CHAPTER XIV.
  18. 18CHAPTER XV.
  19. 19CHAPTER XVI.
  20. 20CHAPTER XVII.
  21. 21CHAPTER XVIII.

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