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The Three Clerks

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Three young men enter office life, where friendship, romance, ambition, and money collide.

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The Three Clerks

Trollope follows three clerks through government employment, social expectations, love, and the pressure to appear successful in Victorian London.

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The source text is public domain; Anthony Trollope died in 1882 and the work dates from 1858.

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The Three Clerks

Anthony Trollope

Capitolo in anteprimaINTRODUCTIONAnteprima

There is the proper mood and the just environment for the reading as well as for the writing of works of fiction, and there can be no better place for the enjoying of a novel by Anthony Trollope than under a tree in Kensington Gardens of a summer day. Under a tree in the avenue that reaches down from the Round Pond to the Long Water. There, perhaps more than anywhere else, lingers the early Victorian atmosphere. As we sit beneath our tree, we see in the distance the dun, red-brick walls of Kensington Palace, where one night Princess Victoria was awakened to hear that she was Queen; there in quaint, hideously ugly Victorian rooms are to be seen Victorian dolls and other playthings; the whole environment is early Victorian. Here to the mind's eye how easy it is to conjure up ghosts of men in baggy trousers and long flowing whiskers, of prim women in crinolines, in hats with long trailing feathers and with ridiculous little parasols, or with Grecian-bends and chignons—church-parading to and fro beneath the trees or by the water's edge—perchance, even the fascinating Lady Crinoline and the elegant Mr. Macassar Jones, whose history has been written by Clerk Charley in the pages we are introducing to the 'gentle reader'. As a poetaster of an earlier date has written:—

Indeed, the historian of social manners, when dealing with the Victorian period, will perforce have recourse to the early volumes of Punch and to the novels of Thackeray, Dickens, and Trollope.

There are certain authors of whom personally we know little, but of whose works we cannot ever know enough, such a one for example as Shakespeare; others of whose lives we know much, but for whose works we can have but scant affection: such is Doctor Johnson; others who are intimate friends in all their aspects, as Goldsmith and Charles Lamb; yet others, who do not quite come home to our bosoms, whose writings we cannot entirely approve, but for whom and for whose works we find a soft place somewhere in our hearts, and such a one is Anthony Trollope. His novels are not for every-day reading, any more than are those of Marryat and Borrow—to take two curious examples. There are times and moods and places in which it would be quite impossible to read The Three Clerks; others in which this story is almost wholly delightful. With those who are fond of bed-reading Trollope should ever be a favourite, and it is no small compliment to say this, for small is the noble army of authors who have given us books which can enchant in the witching hour between waking and slumber. It is probable that all lovers of letters have their favourite bed-books. Thackeray has charmingly told us of his. Of the few novels that can really be enjoyed when the reader is settling down for slumber almost all have been set forth by writers who—consciously or unconsciously—have placed character before plot; Thackeray himself, Miss Austen, Borrow, Marryat, Sterne, Dickens, Goldsmith and—Trollope.

Books are very human in their way, as what else should they be, children of men and women as they are? Just as with human friends so with book friends, first impressions are often misleading; good literary coin sometimes seems to ring untrue, but the untruth is in the ear of the reader, not of the writer. For instance, Trollope has many odd and irritating tricks which are apt to scare off those who lack perseverance and who fail to understand that there must be something admirable in that which was once much admired by the judicious. He shares with Thackeray the sinful habit of pulling up his readers with a wrench by reminding them that what is set before them is after all mere fiction and that the characters in whose fates they are becoming interested are only marionettes. With Dickens and others he shares the custom, so irritating to us of to-day, of ticketing his personages with clumsy, descriptive labels, such as, in The Three Clerks, Mr. Chaffanbrass, Sir Gregory Hardlines, Sir Warwick West End, Mr. Neverbend, Mr. Whip Vigil, Mr. Nogo and Mr. Gitemthruet. He must plead guilty, also, to some bad ways peculiarly his own, or which he made so by the thoroughness with which he indulged in them. He moralizes in his own person in deplorable manner: is not this terrible:—'Poor Katie!—dear, darling, bonnie Katie!—sweet, sweetest, dearest child! why, oh, why, has that mother of thine, that tender-hearted loving mother, put thee unguarded in the way of such perils as this? Has she not sworn to herself that over thee at least she would watch as a hen over her young, so that no unfortunate love should quench thy young spirit, or blanch thy cheek's bloom?' Is this not sufficient to make the gentlest reader swear to himself?

Capitolo in anteprimaCHAPTER I. — THE WEIGHTS AND MEASURESAnteprima

All the English world knows, or knows of, that branch of the Civil Service which is popularly called the Weights and Measures. Every inhabitant of London, and every casual visitor there, has admired the handsome edifice which generally goes by that name, and which stands so conspicuously confronting the Treasury Chambers. It must be owned that we have but a slip-slop way of christening our public buildings. When a man tells us that he called on a friend at the Horse Guards, or looked in at the Navy Pay, or dropped a ticket at the Woods and Forests, we put up with the accustomed sounds, though they are in themselves, perhaps, indefensible. The 'Board of Commissioners for Regulating Weights and Measures', and the 'Office of the Board of Commissioners for Regulating Weights and Measures', are very long phrases; and as, in the course of this tale, frequent mention will be made of the public establishment in question, the reader's comfort will be best consulted by maintaining its popular though improper denomination.

It is generally admitted that the Weights and Measures is a well-conducted public office; indeed, to such a degree of efficiency has it been brought by its present very excellent secretary, the two very worthy assistant-secretaries, and especially by its late most respectable chief clerk, that it may be said to stand quite alone as a high model for all other public offices whatever. It is exactly antipodistic of the Circumlocution Office, and as such is always referred to in the House of Commons by the gentleman representing the Government when any attack on the Civil Service, generally, is being made.

And when it is remembered how great are the interests entrusted to the care of this board, and of these secretaries and of that chief clerk, it must be admitted that nothing short of superlative excellence ought to suffice the nation. All material intercourse between man and man must be regulated, either justly or unjustly, by weights and measures; and as we of all people depend most on such material intercourse, our weights and measures should to us be a source of never-ending concern. And then that question of the decimal coinage! is it not in these days of paramount importance? Are we not disgraced by the twelve pennies in our shilling, by the four farthings in our penny? One of the worthy assistant-secretaries, the worthier probably of the two, has already grown pale beneath the weight of this question. But he has sworn within himself, with all the heroism of a Nelson, that he will either do or die. He will destroy the shilling or the shilling shall destroy him. In his more ardent moods he thinks that he hears the noise of battle booming round him, and talks to his wife of Westminster Abbey or a peerage. Then what statistical work of the present age has shown half the erudition contained in that essay lately published by the secretary on The Market Price of Coined Metals? What other living man could have compiled that chronological table which is appended to it, showing the comparative value of the metallic currency for the last three hundred years? Compile it indeed! What other secretary or assistant-secretary belonging to any public office of the present day, could even read it and live? It completely silenced Mr. Muntz for a session, and even The Times was afraid to review it.

Such a state of official excellence has not, however, been obtained without its drawbacks, at any rate in the eyes of the unambitious tyros and unfledged novitiates of the establishment. It is a very fine thing to be pointed out by envying fathers as a promising clerk in the Weights and Measures, and to receive civil speeches from mammas with marriageable daughters. But a clerk in the Weights and Measures is soon made to understand that it is not for him to—

Indice

In questa edizione

  1. 01Full text
  2. 02INTRODUCTION
  3. 03CHAPTER I. — THE WEIGHTS AND MEASURES
  4. 04CHAPTER II. — THE INTERNAL NAVIGATION
  5. 05CHAPTER III. — THE WOODWARDS
  6. 06CHAPTER IV. — CAPTAIN CUTTWATER
  7. 07CHAPTER V. — BUSHEY PARK
  8. 08CHAPTER VI. — SIR GREGORY HARDLINES
  9. 09CHAPTER VII. — MR. FIDUS NEVERBEND
  10. 10CHAPTER VIII. — THE HON. UNDECIMUS SCOTT
  11. 11CHAPTER IX. — MR. MANYLODES
  12. 12CHAPTER X. — WHEAL MARY JANE
  13. 13CHAPTER XI. — THE THREE KINGS
  14. 14CHAPTER XII. — CONSOLATION
  15. 15'H. N.
  16. 16CHAPTER XIII. — A COMMUNICATION OF IMPORTANCE
  17. 17CHAPTER XIV. — VERY SAD
  18. 18CHAPTER XV. — NORMAN RETURNS TO TOWN
  19. 19CHAPTER XVI. — THE FIRST WEDDING
  20. 20CHAPTER XVII. — THE HONOURABLE MRS. VAL AND MISS GOLIGHTLY
  21. 21CHAPTER XVIII. — A DAY WITH ONE OF THE NAVVIES.—MORNING
  22. 22'MY DEAR SIR,
  23. 23'VERAX CORKSCREW.
  24. 24CHAPTER XIX. — A DAY WITH ONE OF THE NAVVIES.—AFTERNOON
  25. 25CHAPTER XX. — A DAY WITH ONE OF THE NAVVIES.—EVENING
  26. 26CHAPTER XXI. — HAMPTON COURT BRIDGE
  27. 27CHAPTER XXII. — CRINOLINE AND MACASSAR; OR, MY AUNT'S WILL
  28. 28"CRINOLINE AND MACASSAR."
  29. 29"CRINOLINE AND MACASSAR."
  30. 30CHAPTER XXIII. — SURBITON COLLOQUIES
  31. 31CHAPTER XXIV. — MR. M'BUFFER ACCEPTS THE CHILTERN HUNDREDS
  32. 32'I?'
  33. 33CHAPTER XXV. — CHISWICK GARDENS
  34. 34CHAPTER XXVI. — KATIE'S FIRST BALL
  35. 35CHAPTER XXVII. — EXCELSIOR
  36. 36CHAPTER XXVIII. — OUTERMAN v TUDOR
  37. 37CHAPTER XXIX. — EASY IS THE SLOPE OF HELL
  38. 38'U.S.
  39. 39CHAPTER XXX. — MRS. WOODWARD'S REQUEST
  40. 40CHAPTER XXXI. — HOW APOLLO SAVED THE NAVVY
  41. 41CHAPTER XXXII. — THE PARLIAMENTARY COMMITTEE
  42. 42CHAPTER XXXIII. — TO STAND, OR NOT TO STAND
  43. 43CHAPTER XXXIV. — WESTMINSTER HALL
  44. 44CHAPTER XXXV. — MRS. VAL'S NEW CARRIAGE
  45. 45CHAPTER XXXVI. — TICKLISH STOCK
  46. 46'MY DEAR TUDOR,
  47. 47'U. S.'
  48. 48CHAPTER XXXVII. — TRIBULATION
  49. 49CHAPTER XXXVIII. — ALARIC TUDOR TAKES A WALK
  50. 50CHAPTER XXXIX. — THE LAST BREAKFAST
  51. 51CHAPTER XL
  52. 52MR. CHAFFANBRASS
  53. 53CHAPTER XLI. — THE OLD BAILEY
  54. 54CHAPTER XLII. — A PARTING INTERVIEW
  55. 55CHAPTER XLIII. — MILLBANK
  56. 56CHAPTER XLIV. — THE CRIMINAL POPULATION IS DISPOSED OF
  57. 57CHAPTER XLV. — THE FATE OF THE NAVVIES
  58. 58CHAPTER XLVI. — MR. NOGO'S LAST QUESTION
  59. 59CHAPTER XLVII. — CONCLUSION

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The Three Clerks

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