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The Fall of the House of Usher
Edição BooksWhale em inglês por Edgar Allan Poe
Poe's Gothic masterpiece of decay, fear, family doom, and a house that seems alive.
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Introdução do livro
The Fall of the House of Usher
The Fall of the House of Usher is one of Edgar Allan Poe's most influential Gothic tales. Through atmosphere, illness, buried terror, and architectural symbolism, the story turns a family home into a psychological landscape of dread.
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Esta edição se baseia em um texto em domínio público e foi preparada pela BooksWhale para leitura digital.
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Edgar Allan Poe died in 1849, and The Fall of the House of Usher was first published in 1839. These dates support the public-domain basis for the English source text used in this edition.
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The Fall of the House of Usher
Capítulo de préviaMETZENGERSTEINPrévia
METZENGERSTEIN
Capítulo de préviaA Tale In Imitation of the GermanPrévia
Horror and fatality have been stalking abroad in all ages. Why then give a date to this story I have to tell? Let it suffice to say, that at the period of which I speak, there existed, in the interior of Hungary, a settled although hidden belief in the doctrines of the Metempsychosis. Of the doctrines themselves—that is, of their falsity, or of their probability—I say nothing. I assert, however, that much of our incredulity—as La Bruyere says of all our unhappiness—"vient de ne pouvoir etre seuls."
But there are some points in the Hungarian superstition which were fast verging to absurdity. They—the Hungarians—differed very essentially from their Eastern authorities. For example, "The soul," said the former—I give the words of an acute and intelligent Parisian—"ne demeure qu'un seul fois dans un corps sensible: au reste—un cheval, un chien, un homme meme, n'est que la ressemblance peu tangible de ces animaux."
The families of Berlifitzing and Metzengerstein had been at variance for centuries. Never before were two houses so illustrious, mutually embittered by hostility so deadly. Indeed at the era of this history, it was observed by an old crone of haggard and sinister appearance, that "fire and water might sooner mingle than a Berlifitzing clasp the hand of a Metzengerstein." The origin of this enmity seems to be found in the words of an ancient prophecy—"A lofty name shall have a fearful fall when, as the rider over his horse, the mortality of Metzengerstein shall triumph over the immortality of Berlifitzing."
To be sure the words themselves had little or no meaning. But more trivial causes have given rise—and that no long while ago—to consequences equally eventful. Besides, the estates, which were contiguous, had long exercised a rival influence in the affairs of a busy government. Moreover, near neighbors are seldom friends; and the inhabitants of the Castle Berlifitzing might look, from their lofty buttresses, into the very windows of the palace Metzengerstein. Least of all had the more than feudal magnificence, thus discovered, a tendency to allay the irritable feelings of the less ancient and less wealthy Berlifitzings. What wonder then, that the words, however silly, of that prediction, should have succeeded in setting and keeping at variance two families already predisposed to quarrel by every instigation of hereditary jealousy? The prophecy seemed to imply—if it implied anything—a final triumph on the part of the already more powerful house; and was of course remembered with the more bitter animosity by the weaker and less influential.
Wilhelm, Count Berlifitzing, although loftily descended, was, at the epoch of this narrative, an infirm and doting old man, remarkable for nothing but an inordinate and inveterate personal antipathy to the family of his rival, and so passionate a love of horses, and of hunting, that neither bodily infirmity, great age, nor mental incapacity, prevented his daily participation in the dangers of the chase.
Frederick, Baron Metzengerstein, was, on the other hand, not yet Mary, followed him quickly after. Frederick was, at that time, in his fifteenth year. In a city, fifteen years are no long period—a child may be still a child in his third lustrum: but in a wilderness—in so magnificent a wilderness as that old principality, fifteen years have a far deeper meaning.
The beautiful Lady Mary! How could she die?—and of consumption! But it is a path I have prayed to follow. I would wish all I love to perish of that gentle disease. How glorious—to depart in the heyday of the young blood—the heart of all passion—the imagination all fire—amid the remembrances of happier days—in the fall of the year- and so be buried up forever in the gorgeous autumnal leaves!
Thus died the Lady Mary. The young Baron Frederick stood without a living relative by the coffin of his dead mother. He placed his hand upon her placid forehead. No shudder came over his delicate frame—no sigh from his flinty bosom. Heartless, self-willed and impetuous from his childhood, he had reached the age of which I speak through a career of unfeeling, wanton, and reckless dissipation; and a barrier had long since arisen in the channel of all holy thoughts and gentle recollections.
Sumário
Nesta edição
- 01Full text
- 02METZENGERSTEIN
- 03A Tale In Imitation of the German
- 04THE DUC DE L'OMELETTE
- 05A TALE OF JERUSALEM
- 06LOSS OF BREATH
- 07BON-BON
- 08MS. FOUND IN A BOTTLE
- 09THE ASSIGNATION
- 10Originally titled "The Visionary"
- 11BERENICE (ORIGINAL)
- 12BERENICE (REVISED)
- 13MORELLA
- 14LIONIZING.
- 15THE UNPARALLELED ADVENTURE OF ONE HANS PFAALL
- 16KING PEST
- 17SHADOW
- 18FOUR BEASTS IN ONE
- 19MYSTIFICATION
- 20SILENCE
- 21LIGEIA
- 22HOW TO WRITE A BLACKWOOD ARTICLE
- 23A PREDICAMENT
- 24THE DEVIL IN THE BELFRY
- 25THE MAN THAT WAS USED UP
- 26THE FALL OF THE HOUSE OF USHER
- 27WILLIAM WILSON
- 28THE CONVERSATION OF EIROS AND CHARMION
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