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Hilda Lessways
English BooksWhale Edition by Arnold Bennett
Hilda seeks work, independence, and love in the Five Towns, confronting the uncertain promises of an expanding provincial world.
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Book introduction
Hilda Lessways
Arnold Bennett follows Hilda Lessways from domestic frustration into newspaper work, business responsibilities, and a complicated attachment to George Cannon. Her story crosses the industrial Five Towns, London, and Brighton, connecting her perspective with Edwin Clayhanger’s. The six books of this English novel explore self-reliance, desire, economic opportunity, and the decisions through which a young woman tries to shape her life.
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Why this edition can be shared
Arnold Bennett died in 1931; this work was first published in 1911. The edition uses the original English text digitized by Project Gutenberg, excluding later platform material and annotations.
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Preview chapterBOOK I HER START IN LIFE — CHAPTER I AN EVENT IN MR. SKELLORN'S LIFE — Section IRead preview
The Lessways household, consisting of Hilda and her widowed mother, was temporarily without a servant. Hilda hated domestic work, and because she hated it she often did it passionately and thoroughly. That afternoon, as she emerged from the kitchen, her dark, defiant face was full of grim satisfaction in the fact that she had left a kitchen polished and irreproachable, a kitchen without the slightest indication that it ever had been or ever would be used for preparing human nature's daily food; a show kitchen. Even the apron which she had worn was hung in concealment behind the scullery door. The lobby clock, which stood over six feet high and had to be wound up every night by hauling on a rope, was noisily getting ready to strike two. But for Mrs. Lessways' disorderly and undesired assistance, Hilda's task might have been finished a quarter of an hour earlier. She passed quietly up the stairs. When she was near the top, her mother's voice, at once querulous and amiable, came from the sitting-room:
"Where are you going to?"
There was a pause, dramatic for both of them, and in that minute pause the very life of the house seemed for an instant to be suspended, and then the waves of the hostile love that united these two women resumed their beating, and Hilda's lips hardened.
"Upstairs," she answered callously.
No reply from the sitting-room!
At two o'clock on the last Wednesday of every month, old Mr. Skellorn, employed by Mrs. Lessways to collect her cottage-rents, called with a statement of account, and cash in a linen bag. He was now due. During his previous visit Hilda had sought to instil some common sense into her mother on the subject of repairs, and there had ensued an altercation which had never been settled.
"If I stayed down, she wouldn't like it," Hilda complained fiercely within herself, "and if I keep away she doesn't like that either! That's mother all over!"
She went to her bedroom. And into the soft, controlled shutting of the door she put more exasperated vehemence than would have sufficed to bang it off its hinges.
Preview chapterSection IIPreview
At this date, late October in 1878, Hilda was within a few weeks of twenty-one. She was a woman, but she could not realize that she was a woman. She remembered that when she first went to school, at the age of eight, an assistant teacher aged nineteen had seemed to her to be unquestionably and absolutely a woman, had seemed to belong definitely to a previous generation. The years had passed, and Hilda was now older than that mature woman was then; and yet she could not feel adult, though her childhood gleamed dimly afar off, and though the intervening expanse of ten years stretched out like a hundred years, like eternity. She was in trouble; the trouble grew daily more and more tragic; and the trouble was that she wanted she knew not what. If her mother had said to her squarely, "Tell me what it is will make you a bit more contented, and you shall have it even if it kills me!" Hilda could only have answered with the fervour of despair, "I don't know! I don't know!"
Her mother was a creature contented enough. And why not--with a sufficient income, a comfortable home, and fair health? At the end of a day devoted partly to sheer vacuous idleness and partly to the monotonous simple machinery of physical existence--everlasting cookery, everlasting cleanliness, everlasting stitchery--her mother did not with a yearning sigh demand, "Must this sort of thing continue for ever, or will a new era dawn?" Not a bit! Mrs. Lessways went to bed in the placid expectancy of a very similar day on the morrow, and of an interminable succession of such days. The which was incomprehensible and offensive to Hilda.
She was in a prison with her mother, and saw no method of escape, saw not so much as a locked door, saw nothing but blank walls. Even could she by a miracle break prison, where should she look for the unknown object of her desire, and for what should she look? Enigmas! It is true that she read, occasionally with feverish enjoyment, especially verse. But she did not and could not read enough. Of the shelf-ful of books which in thirty years had drifted by one accident or another into the Lessways household, she had read every volume, except Cruden's Concordance. A heterogeneous and forlorn assemblage! Lavater's Physiognomy, in a translation and in full calf! Thomson's Seasons, which had thrilled her by its romantic beauty! Mrs. Henry Wood's Danesbury House, and one or two novels by Charlotte M. Yonge and Dinah Maria Craik, which she had gulped eagerly down for the mere interest of their stories. Disraeli's Ixion, which she had admired without understanding it. A History of the North American Indians! These were the more exciting items of the set. The most exciting of all was a green volume of Tennyson's containing Maud. She knew Maud by heart. By simple unpleasant obstinacy she had forced her mother to give her this volume for a birthday present, having seen a quotation from it in a ladies' magazine. At that date in Turnhill, as in many other towns of England, the poem had not yet lived down a reputation for immorality; but fortunately Mrs. Lessways had only the vaguest notion of its dangerousness, and was indeed a negligent kind of woman. Dangerous the book was! Once in reciting it aloud in her room, Hilda had come so near to fainting that she had had to stop and lie down on the bed, until she could convince herself that she was not the male lover crying to his beloved. An astounding and fearful experience, and not to be too lightly renewed! For Hilda, Maud was a source of lovely and exquisite pain.
Why had she not used her force of character to obtain more books? One reason lay in the excessive difficulty to be faced. Birthdays are infrequent; and besides, the enterprise of purchasing Maud had proved so complicated and tedious that Mrs. Lessways, with that curious stiffness which marked her sometimes, had sworn never to attempt to buy another book. Turnhill, a town of fifteen thousand persons, had no bookseller; the only bookseller that Mrs. Lessways had ever heard of did business at Oldcastle. Mrs. Lessways had journeyed twice over the Hillport ridge to Oldcastle, in the odd quest of a book called Maud by "Tennyson--the poet laureate"; the book had had to be sent from London; and on her second excursion to Oldcastle Mrs. Lessways had been caught by the rain in the middle of Hillport Marsh. No! Hilda could not easily demand the gift of another book, when all sorts of nice, really useful presents could be bought in the High Street. Nor was there in Turnhill a Municipal Library, nor any public lending-library.
Preview chapterSection IIIPreview
Mr. Skellorn did not come; he was most definitely late.
From the window of her bedroom, at the front of the house, Hilda looked westwards up toward the slopes of Chatterley Wood, where as a child she used to go with other children to pick the sparse bluebells that thrived on smoke. The bailiwick of Turnhill lay behind her; and all the murky district of the Five Towns, of which Turnhill is the northern outpost, lay to the south. At the foot of Chatterley Wood the canal wound in large curves on its way towards the undefiled plains of Cheshire and the sea. On the canal-side, exactly opposite to Hilda's window, was a flour-mill, that sometimes made nearly as much smoke as the kilns and chimneys closing the prospect on either hand. From the flour-mill a bricked path, which separated a considerable row of new cottages from their appurtenant gardens, led straight into Lessways Street, in front of Mrs. Lessways' house. By this path Mr. Skellorn should have arrived, for he inhabited the farthest of the cottages.
Hilda held Mr. Skellorn in disdain, as she held the row of cottages in disdain. It seemed to her that Mr. Skellorn and the cottages mysteriously resembled each other in their primness, their smugness, their detestable self-complacency. Yet those cottages, perhaps thirty in all, had stood for a great deal until Hilda, glancing at them, shattered them with her scorn. The row was called Freehold Villas: a consciously proud name in a district where much of the land was copyhold and could only change owners subject to the payment of 'fines' and to the feudal consent of a 'court' presided over by the agent of a lord of the manor. Most of the dwellings were owned by their occupiers, who, each an absolute monarch of the soil, niggled in his sooty garden of an evening amid the flutter of drying shirts and towels. Freehold Villas symbolized the final triumph of Victorian economics, the apotheosis of the prudent and industrious artisan. It corresponded with a Building Society Secretary's dream of paradise. And indeed it was a very real achievement. Nevertheless Hilda's irrational contempt would not admit this. She saw in Freehold Villas nothing but narrowness (what long narrow strips of gardens, and what narrow homes all flattened together!), and uniformity, and brickiness, and polished brassiness, and righteousness, and an eternal laundry.
From the upper floor of her own home she gazed destructively down upon all that, and into the chill, crimson eye of the descending sun. Her own home was not ideal, but it was better than all that. It was one of the two middle houses of a detached terrace of four houses built by her grandfather Lessways, the teapot manufacturer; it was the chief of the four, obviously the habitation of the proprietor of the terrace. One of the corner houses comprised a grocer's shop, and this house had been robbed of its just proportion of garden so that the seigneurial garden-plot might be triflingly larger than the others. The terrace was not a terrace of cottages, but of houses rated at from twenty-six to thirty-six pounds a year; beyond the means of artisans and petty insurance agents and rent-collectors. And further, it was well built, generously built; and its architecture, though debased, showed some faint traces of Georgian amenity. It was admittedly the best row of houses in that newly settled quarter of the town. In coming to it out of Freehold Villas Mr. Skellorn obviously came to something superior, wider, more liberal.
Suddenly Hilda heard her mother's voice, in a rather startled conversational tone, and then another woman speaking; then the voices died away. Mrs. Lessways had evidently opened the back door to somebody, and taken her at once into the sitting-room. The occurrence was unusual. Hilda went softly out on to the landing and listened, but she could catch nothing more than a faint, irregular murmur. Scarcely had she stationed herself on the landing when her mother burst out of the sitting-room, and called loudly:
Table of contents
Inside this edition
- 01BOOK I HER START IN LIFE — CHAPTER I AN EVENT IN MR. SKELLORN'S LIFE — Section I
- 02Section II
- 03Section III
- 04BOOK I HER START IN LIFE — CHAPTER II THE END OF THE SCENE — Section I
- 05Section II
- 06Section III
- 07BOOK I HER START IN LIFE — CHAPTER III MR. CANNON — Section I
- 08Section II
- 09Section III
- 10BOOK I HER START IN LIFE — CHAPTER IV DOMESTICITY INVADED — Section I
- 11Section II
- 12Section III
- 13BOOK I HER START IN LIFE — CHAPTER V MRS. LESSWAYS' SHREWDNESS — Section I
- 14Section II
- 15Section III
- 16BOOK I HER START IN LIFE — CHAPTER VI VICTOR HUGO AND ISAAC PITMAN — Section I
- 17Section II
- 18Section III
- 19Section IV
- 20BOOK I HER START IN LIFE — CHAPTER VII THE EDITORIAL SECRETARY — Section I
- 21Section II
- 22Section III
- 23Section IV
- 24BOOK I HER START IN LIFE — CHAPTER VIII JANET ORGREAVE — Section I
- 25Section II
- 26Section III
- 27BOOK I HER START IN LIFE — CHAPTER IX IN THE STREET — Section I
- 28Section II
- 29Section III
- 30Section IV
- 31BOOK I HER START IN LIFE — CHAPTER X MISS GAILEY IN DECLENSION — Section I
- 32Section II
- 33Section III
- 34Section IV
- 35BOOK I HER START IN LIFE — CHAPTER XI DISILLUSION — Section I
- 36Section II
- 37Section III
- 38BOOK I HER START IN LIFE — CHAPTER XII THE TELEGRAM — Section I
- 39Section II
- 40Section III
- 41Section IV
- 42BOOK I HER START IN LIFE — CHAPTER XIII HILDA'S WORLD — Section I
- 43Section II
- 44Section III
- 45BOOK I HER START IN LIFE — CHAPTER XIV TO LONDON — Section I
- 46Section II
- 47Section III
- 48Section IV
- 49BOOK II HER RECOVERY — CHAPTER I SIN — Section I
- 50Section II
- 51Section III
- 52Section IV
- 53BOOK II HER RECOVERY — CHAPTER II THE LITTLE ROOM — Section I
- 54Section II
- 55Section III
- 56Section IV
- 57Section V
- 58Section VI
- 59BOOK II HER RECOVERY — CHAPTER III JOURNEY TO BLEAKRIDGE — Section I
- 60Section II
- 61Section III
- 62Section IV
- 63BOOK II HER RECOVERY — CHAPTER IV WITH THE ORGREAVES — Section I
- 64Section II
- 65Section III
- 66Section IV
- 67BOOK II HER RECOVERY — CHAPTER V EDWIN CLAYHANGER — Section I
- 68Section II
- 69Section III
- 70Section IV
- 71BOOK II HER RECOVERY — CHAPTER VI IN THE GARDEN — Section I
- 72Section II
- 73Section III
- 74Section IV
- 75Section V
- 76BOOK II HER RECOVERY — CHAPTER VII THE NEXT MEETING — Section I
- 77Section II
- 78Section III
- 79Section IV
- 80Section V
- 81BOOK III HER BURDEN — CHAPTER I HILDA INDISPENSABLE — Section I
- 82Section II
- 83Section III
- 84BOOK III HER BURDEN — CHAPTER II SARAH'S BENEFACTOR — Section I
- 85Section II
- 86Section III
- 87BOOK III HER BURDEN — CHAPTER III AT BRIGHTON — Section I
- 88Section II
- 89Section III
- 90Section IV
- 91BOOK III HER BURDEN — CHAPTER IV THE SEA — Section I
- 92Section II
- 93Section III
- 94Section IV
- 95BOOK IV HER FALL — CHAPTER I THE GOING CONCERN — Section I
- 96Section II
- 97Section III
- 98BOOK IV HER FALL — CHAPTER II THE UNKNOWN ADVENTURE — Section I
- 99Section II
- 100Section III
- 101BOOK IV HER FALL — CHAPTER III FLORRIE AGAIN — Section I
- 102Section II
- 103Section III
- 104Section IV
- 105Section V
- 106BOOK V HER DELIVERANCE — CHAPTER I LOUISA UNCONTROLLED — Section I
- 107Section II
- 108Section III
- 109Section IV
- 110Section V
- 111BOOK V HER DELIVERANCE — CHAPTER II SOME SECRET HISTORY — Section I
- 112Section II
- 113Section III
- 114Section IV
- 115BOOK VI HER PUNISHMENT — CHAPTER I EVENING AT BLEAKRIDGE — Section I
- 116Section II
- 117Section III
- 118BOOK VI HER PUNISHMENT — CHAPTER II A RENDEZVOUS — Section I
- 119Section II
- 120Section III
- 121BOOK VI HER PUNISHMENT — CHAPTER III AT THE WORKS — Section I
- 122Section II
- 123Section III
- 124Section IV
- 125BOOK VI HER PUNISHMENT — CHAPTER IV THE CALL FROM BRIGHTON — Section I
- 126Section II
- 127Section III
- 128BOOK VI HER PUNISHMENT — CHAPTER V THURSDAY AFTERNOON — Section I
- 129Section II
- 130Section III
- 131Section IV
- 132Section V
- 133BOOK VI HER PUNISHMENT — CHAPTER VI MISCHANCE — Section I
- 134Section II
- 135Section III
- 136Section IV
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