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The Blithedale Romance

English BooksWhale Edition by Nathaniel Hawthorne

Hawthorne’s romance of utopian reform, desire, performance, and disillusionment in a communal experiment.

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The Blithedale Romance

“The Blithedale Romance” draws on Hawthorne’s experience with Brook Farm to explore reform idealism, gender roles, charisma, secrecy, and emotional rivalry. Its narrator observes a hopeful community darkened by vanity and hidden motives.

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The Blithedale Romance is a public-domain work: the author died in 1864, and the text was first published in 1852. This edition uses the original English text.

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The Blithedale Romance

by

Nathaniel Hawthorne

I. OLD MOODIE II. BLITHEDALE III. A KNOT OF DREAMERS IV. THE SUPPER-TABLE V. UNTIL BEDTIME VI. COVERDALE'S SICK CHAMBER VII. THE CONVALESCENT VIII. A MODERN ARCADIA IX. HOLLINGSWORTH, ZENOBIA, PRISCILLA X. A VISITOR FROM TOWN XI. THE WOOD-PATH XII. COVERDALE'S HERMITAGE XIII. ZENOBIA'S LEGEND XIV. ELIOT'S PULPIT XV. A CRISIS XVI. LEAVE-TAKINGS XVII. THE HOTEL XVIII. THE BOARDING-HOUSE XIX. ZENOBIA'S DRAWING-ROOM XX. THEY VANISH XXI. AN OLD ACQUAINTANCE XXII. FAUNTLEROY XXIII. A VILLAGE HALL XXIV. THE MASQUERADERS XXV. THE THREE TOGETHER XXVI. ZENOBIA AND COVERDALE XXVII. MIDNIGHT XXVIII. BLITHEDALE PASTURE XXIX. MILES COVERDALE'S CONFESSION

Preview chapterI. OLD MOODIEPreview

The evening before my departure for Blithedale, I was returning to my bachelor apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly man of rather shabby appearance met me in an obscure part of the street.

"Mr. Coverdale," said he softly, "can I speak with you a moment?"

As I have casually alluded to the Veiled Lady, it may not be amiss to mention, for the benefit of such of my readers as are unacquainted with her now forgotten celebrity, that she was a phenomenon in the mesmeric line; one of the earliest that had indicated the birth of a new science, or the revival of an old humbug. Since those times her sisterhood have grown too numerous to attract much individual notice; nor, in fact, has any one of them come before the public under such skilfully contrived circumstances of stage effect as those which at once mystified and illuminated the remarkable performances of the lady in question. Nowadays, in the management of his "subject," "clairvoyant," or "medium," the exhibitor affects the simplicity and openness of scientific experiment; and even if he profess to tread a step or two across the boundaries of the spiritual world, yet carries with him the laws of our actual life and extends them over his preternatural conquests. Twelve or fifteen years ago, on the contrary, all the arts of mysterious arrangement, of picturesque disposition, and artistically contrasted light and shade, were made available, in order to set the apparent miracle in the strongest attitude of opposition to ordinary facts. In the case of the Veiled Lady, moreover, the interest of the spectator was further wrought up by the enigma of her identity, and an absurd rumor (probably set afloat by the exhibitor, and at one time very prevalent) that a beautiful young lady, of family and fortune, was enshrouded within the misty drapery of the veil. It was white, with somewhat of a subdued silver sheen, like the sunny side of a cloud; and, falling over the wearer from head to foot, was supposed to insulate her from the material world, from time and space, and to endow her with many of the privileges of a disembodied spirit.

Her pretensions, however, whether miraculous or otherwise, have little to do with the present narrative--except, indeed, that I had propounded, for the Veiled Lady's prophetic solution, a query as to the success of our Blithedale enterprise. The response, by the bye, was of the true Sibylline stamp,--nonsensical in its first aspect, yet on closer study unfolding a variety of interpretations, one of which has certainly accorded with the event. I was turning over this riddle in my mind, and trying to catch its slippery purport by the tail, when the old man above mentioned interrupted me.

"Mr. Coverdale!--Mr. Coverdale!" said he, repeating my name twice, in order to make up for the hesitating and ineffectual way in which he uttered it. "I ask your pardon, sir, but I hear you are going to Blithedale tomorrow."

I knew the pale, elderly face, with the red-tipt nose, and the patch over one eye; and likewise saw something characteristic in the old fellow's way of standing under the arch of a gate, only revealing enough of himself to make me recognize him as an acquaintance. He was a very shy personage, this Mr. Moodie; and the trait was the more singular, as his mode of getting his bread necessarily brought him into the stir and hubbub of the world more than the generality of men.

"Yes, Mr. Moodie," I answered, wondering what interest he could take in the fact, "it is my intention to go to Blithedale to-morrow. Can I be of any service to you before my departure?"

"If you pleased, Mr. Coverdale," said he, "you might do me a very great favor."

"A very great one?" repeated I, in a tone that must have expressed but little alacrity of beneficence, although I was ready to do the old man any amount of kindness involving no special trouble to myself. "A very great favor, do you say? My time is brief, Mr. Moodie, and I have a good many preparations to make. But be good enough to tell me what you wish."

Preview chapterII. BLITHEDALEPreview

There can hardly remain for me (who am really getting to be a frosty bachelor, with another white hair, every week or so, in my mustache), there can hardly flicker up again so cheery a blaze upon the hearth, as that which I remember, the next day, at Blithedale. It was a wood fire, in the parlor of an old farmhouse, on an April afternoon, but with the fitful gusts of a wintry snowstorm roaring in the chimney. Vividly does that fireside re-create itself, as I rake away the ashes from the embers in my memory, and blow them up with a sigh, for lack of more inspiring breath. Vividly for an instant, but anon, with the dimmest gleam, and with just as little fervency for my heart as for my finger-ends! The staunch oaken logs were long ago burnt out. Their genial glow must be represented, if at all, by the merest phosphoric glimmer, like that which exudes, rather than shines, from damp fragments of decayed trees, deluding the benighted wanderer through a forest. Around such chill mockery of a fire some few of us might sit on the withered leaves, spreading out each a palm towards the imaginary warmth, and talk over our exploded scheme for beginning the life of Paradise anew.

Paradise, indeed! Nobody else in the world, I am bold to affirm--nobody, at least, in our bleak little world of New England,--had dreamed of Paradise that day except as the pole suggests the tropic. Nor, with such materials as were at hand, could the most skilful architect have constructed any better imitation of Eve's bower than might be seen in the snow hut of an Esquimaux. But we made a summer of it, in spite of the wild drifts.

It was an April day, as already hinted, and well towards the middle of the month. When morning dawned upon me, in town, its temperature was mild enough to be pronounced even balmy, by a lodger, like myself, in one of the midmost houses of a brick block,--each house partaking of the warmth of all the rest, besides the sultriness of its individual furnace--heat. But towards noon there had come snow, driven along the street by a northeasterly blast, and whitening the roofs and sidewalks with a business-like perseverance that would have done credit to our severest January tempest. It set about its task apparently as much in earnest as if it had been guaranteed from a thaw for months to come. The greater, surely, was my heroism, when, puffing out a final whiff of cigar-smoke, I quitted my cosey pair of bachelor-rooms,--with a good fire burning in the grate, and a closet right at hand, where there was still a bottle or two in the champagne basket and a residuum of claret in a box,--quitted, I say, these comfortable quarters, and plunged into the heart of the pitiless snowstorm, in quest of a better life.

The better life! Possibly, it would hardly look so now; it is enough if it looked so then. The greatest obstacle to being heroic is the doubt whether one may not be going to prove one's self a fool; the truest heroism is to resist the doubt; and the profoundest wisdom to know when it ought to be resisted, and when to be obeyed.

Yet, after all, let us acknowledge it wiser, if not more sagacious, to follow out one's daydream to its natural consummation, although, if the vision have been worth the having, it is certain never to be consummated otherwise than by a failure. And what of that? Its airiest fragments, impalpable as they may be, will possess a value that lurks not in the most ponderous realities of any practicable scheme. They are not the rubbish of the mind. Whatever else I may repent of, therefore, let it be reckoned neither among my sins nor follies that I once had faith and force enough to form generous hopes of the world's destiny--yes!--and to do what in me lay for their accomplishment; even to the extent of quitting a warm fireside, flinging away a freshly lighted cigar, and travelling far beyond the strike of city clocks, through a drifting snowstorm.

Table of contents

Inside this edition

  1. 01Full text
  2. 02I. OLD MOODIE
  3. 03II. BLITHEDALE
  4. 04III. A KNOT OF DREAMERS
  5. 05IV. THE SUPPER-TABLE
  6. 06V. UNTIL BEDTIME
  7. 07VI. COVERDALE'S SICK-CHAMBER
  8. 08VII. THE CONVALESCENT
  9. 09VIII. A MODERN ARCADIA
  10. 10IX. HOLLINGSWORTH, ZENOBIA, PRISCILLA
  11. 11X. A VISITOR FROM TOWN
  12. 12XI. THE WOOD-PATH
  13. 13XII. COVERDALE'S HERMITAGE
  14. 14XIII. ZENOBIA'S LEGEND
  15. 15THE SILVERY VEIL
  16. 16XIV. ELIOT'S PULPIT
  17. 17XV. A CRISIS
  18. 18XVI. LEAVE-TAKINGS
  19. 19XVII. THE HOTEL
  20. 20XVIII. THE BOARDING-HOUSE
  21. 21XIX. ZENOBIA'S DRAWING-ROOM
  22. 22XX. THEY VANISH
  23. 23XXI. AN OLD ACQUAINTANCE
  24. 24XXII. FAUNTLEROY
  25. 25XXIII. A VILLAGE HALL
  26. 26XXIV. THE MASQUERADERS
  27. 27XXV. THE THREE TOGETHER
  28. 28XXVI. ZENOBIA AND COVERDALE
  29. 29XXVII. MIDNIGHT
  30. 30XXVIII. BLITHEDALE PASTURE
  31. 31XXIX. MILES COVERDALE'S CONFESSION

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