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English Edition

Literature

The Raven

English BooksWhale Edition by Edgar Allan Poe

Poe's haunting poem of grief, memory, midnight visitation, and the word that will not leave.

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The Raven

The Raven is Edgar Allan Poe's best-known poem, shaped by musical repetition, mourning, and supernatural suggestion. Its atmosphere of loss and obsession has made it one of the most famous works in American literature.

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This edition is based on a public domain text and has been prepared for digital reading by BooksWhale.

Public domain basis

Why this edition can be shared

Edgar Allan Poe died in 1849, and The Raven was first published in 1845. These dates support the public-domain basis for the English source text used in this edition.

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The Raven

Preview chapterO, TEMPORA! O, MORES!Preview

O, Times! O, Manners! It is my opinion

That you are changing sadly your dominion —

I mean the reign of manners hath long ceased,

For men have none at all, or bad at least;

And as for times, altho' 'tis said by many

The "good old times" were far the worst of any,

Of which sound doctrine l believe each tittle,

Yet still I think these worse than them a little.

I've been a thinking — isn't that the phrase? —

I like your Yankee words and Yankee ways —

I've been a thinking, whether it were best

To take things seriously, or all in jest;

Whether, with grim Heraclitus of yore,

To weep, as he did, till his eyes were sore,

Or rather laugh with him, that queer philosopher,

Democritus of Thrace, who used to toss over

The page of life and grin at the dog-ears,

As though he'd say, "Why, who the devil cares?"

This is a question which, oh heaven, withdraw

The luckless query from a member's claw!

Instead of two sides, Job [Bob] has nearly eight,

Each fit to furnish forth four hours debate.

What shall be done? I'll lay it on the table,

And take the matter up when I'm more able,

And, in the meantime, to prevent all bother,

I'll neither laugh with one, nor cry with t'other,

Nor deal in flatt'ry or aspersions foul,

But, taking one by each hand, merely growl.

Ah, growl, say you, my friend, and pray at what?

Why, really, sir, I almost had forgot —

But, damn it, sir, I deem it a disgrace

That things should stare us boldly in the face,

And daily strut the street with bows and scrapes,

Who would be men by imitating apes.

I beg your pardon, reader, for the oath

The monkeys make me swear, though something loth;

I'm apt to be discursive in my style,

But pray be patient; yet a little while

Will change me, and as politicians do,

I'll mend my manners and my measures too.

Of all the cities — and I've seen no few;

For I have travelled, friend, as well as you —

I don't remember one, upon my soul,

But take it generally upon the whole,

(As members say they like their logick [logic] taken,

Because divided, it may chance be shaken)

So pat, agreeable and vastly proper

As this for a neat, frisky counter-hopper;

Here he may revel to his heart's content,

Flounce like a fish in his own element,

Toss back his fine curls from their forehead fair,

And hop o'er counters with a Vester's air,

Complete at night what he began A.M.,

And having cheated ladies, dance with them;

For, at a ball, what fair one can escape

The pretty little hand that sold her tape,

Or who so cold, so callous to refuse

The youth who cut the ribbon for her shoes!

One of these fish, par excellence the beau —

God help me! — it has been my lot to know,

At least by sight, for I'm a timid man,

And always keep from laughing, if I can;

But speak to him, he'll make you such grimace,

Lord! to be grave exceeds the power of face.

The hearts of all the ladies are with him,

Their bright eyes on his Tom and Jerry brim

And dove-tailed coat, obtained at cost; while then

Those eyes won't turn on anything like men.

His very voice is musical delight,

His form, once seen, becomes a part of sight;

In short, his shirt collar, his look, his tone is

The "beau ideal" fancied for Adonis.

Philosophers have often held dispute

As to the seat of thought in man and brute;

For that the power of thought attends the latter

My friend, the beau, hath made a settled matter,

And spite of all dogmas, current in all ages,

One settled fact is better than ten sages.

For he does think, though I am oft in doubt

Preview chapterTAMERLANEPreview

KIND solace in a dying hour!

Such, father, is not (now) my theme—

I will not madly deem that power

Of Earth may shrive me of the sin

Unearthly pride hath revell'd in—

I have no time to dote or dream:

You call it hope—that fire of fire!

It is but agony of desire:

If I can hope—Oh God! I can—

Its fount is holier—more divine—

I would not call thee fool, old man,

But such is not a gift of thine.

Know thou the secret of a spirit

Bow'd from its wild pride into shame.

O! yearning heart! I did inherit

Thy withering portion with the fame,

The searing glory which hath shone

Amid the jewels of my throne,

Halo of Hell! and with a pain

Not Hell shall make me fear again—

O! craving heart, for the lost flowers

And sunshine of my summer hours!

Th' undying voice of that dead time,

With its interminable chime,

Rings, in the spirit of a spell,

Upon thy emptiness—a knell.

I have not always been as now:

The fever'd diadem on my brow

I claim'd and won usurpingly—

Hath not the same fierce heirdom given

Rome to the Caesar—this to me?

The heritage of a kingly mind,

And a proud spirit which hath striven

Triumphantly with human kind.

On mountain soil I first drew life:

The mists of the Taglay have shed

Nightly their dews upon my head,

And, I believe, the winged strife

And tumult of the headlong air

Have nestled in my very hair.

So late from Heaven—that dew—it fell

(Mid dreams of an unholy night)

Upon me—with the touch of Hell,

While the red flashing of the light

From clouds that hung, like banners, o'er,

Appeared to my half-closing eye

The pageantry of monarchy,

And the deep trumpet-thunder's roar

Came hurriedly upon me, telling

Of human battle, where my voice,

My own voice, silly child!—was swelling

(O! how my spirit would rejoice,

And leap within me at the cry)

The battle-cry of Victory!

The rain came down upon my head

Unshelter'd—and the heavy wind

Was giantlike—so thou, my mind!—

It was but man, I thought, who shed

Laurels upon me: and the rush—

The torrent of the chilly air

Gurgled within my ear the crush

Of empires—with the captive's prayer—

The hum of suiters—and the tone

Of flattery 'round a sovereign's throne.

My passions, from that hapless hour,

Usurp'd a tyranny which men

Have deem'd, since I have reach'd to power;

My innate nature—be it so:

But, father, there liv'd one who, then,

Then—in my boyhood—when their fire

Burn'd with a still intenser glow,

(For passion must, with youth, expire)

E'en then who knew this iron heart

In woman's weakness had a part.

I have no words—alas!—to tell

The loveliness of loving well!

Nor would I now attempt to trace

The more than beauty of a face

Whose lineaments, upon my mind,

Are—shadows on th' unstable wind:

Thus I remember having dwelt

Some page of early lore upon,

With loitering eye, till I have felt

The letters—with their meaning—melt

To fantasies—with none.

O, she was worthy of all love!

Love—as in infancy was mine—

'Twas such as angel minds above

Might envy; her young heart the shrine

On which my ev'ry hope and thought

Were incense—then a goodly gift,

For they were childish—and upright—

Pure—as her young example taught:

Why did I leave it, and, adrift,

Trust to the fire within, for light?

We grew in age—and love—together,

Roaming the forest, and the wild;

My breast her shield in wintry weather—

And, when the friendly sunshine smil'd,

And she would mark the opening skies,

I saw no Heaven—but in her eyes.

Young Love's first lesson is—the heart:

For 'mid that sunshine, and those smiles,

Table of contents

Inside this edition

  1. 01Full text
  2. 02O, TEMPORA! O, MORES!
  3. 03TAMERLANE
  4. 04STANZAS
  5. 05TO MARGARET
  6. 06ALONE
  7. 07TO ISAAC LEA
  8. 08AN ACROSTIC
  9. 09ELIZABETH
  10. 10LENORE
  11. 11A PAEAN
  12. 12THE CITY IN THE SEA
  13. 13FANNY
  14. 14SERENADE
  15. 15TO F——S S. O——D
  16. 16TO ELIZABETH
  17. 17MAY QUEEN ODE
  18. 18SPIRITUAL SONG
  19. 19LATIN HYMN
  20. 20LINES ON JOE LOCKE
  21. 21A CAMPAIGN SONG
  22. 22DREAM LAND
  23. 23IMPROMPTU. TO KATE CAROL
  24. 24EULALIE
  25. 25EPIGRAM FOR WALL STREET
  26. 26THE RAVEN
  27. 27THE DIVINE RIGHT OF KINGS
  28. 28THE BELOVED PHYSICIAN
  29. 29DEEP IN EARTH
  30. 30ULALUME
  31. 31LINES ON ALE
  32. 32A DREAM WITHIN A DREAM
  33. 33TO MY MOTHER
  34. 34TO ISADORE
  35. 35THE VILLAGE STREET
  36. 36THE FOREST REVERIE

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