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The Romance of the Forest

English BooksWhale Edition by Ann Radcliffe

A landmark Gothic romance of flight, ruined abbeys, persecution, secrecy, and emotional suspense.

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The Romance of the Forest

The Romance of the Forest established Ann Radcliffe’s reputation as a master of Gothic atmosphere. The novel follows Adeline through danger, concealment, threatened violence, mysterious manuscripts, ruined architecture, and the psychological suspense that made Radcliffe central to Romantic-era fiction.

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Why this edition can be shared

Ann Radcliffe died in 1823, and The Romance of the Forest was first published in 1791. These dates support the public-domain basis for the original English text used in this edition.

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The Romance of the Forest

Ann Radcliffe

Preview chapterCHAPTER IPreview

I am a man, So weary with disasters, tugg'd with fortune, That I would set my life on any chance, To mend it, or be rid ou't.

When once sordid interest seizes on the heart, it freezes up the source of every warm and liberal feeling; it is an enemy alike to virtue and to taste--_this_ it perverts, and _that_ it annihilates. The time may come, my friend, when death shall dissolve the sinews of avarice, and justice be permitted to resume her rights.

Such were the words of the Advocate Nemours to Pierre de la Motte, as the latter stept at midnight into the carriage which was to bear him far from Paris, from his creditors and the persecution of the laws. De la Motte thanked him for this last instance of his kindness; the assistance he had given him in escape; and, when the carriage drove away, uttered a sad adieu! The gloom of the hour, and the peculiar emergency of his circumstances, sunk him in silent reverie.

Whoever has read Gayot de Pitaval, the most faithful of those writers who record the proceedings in the Parliamentary Courts of Paris during the seventeenth century, must surely remember the striking story of Pierre de la Motte and the Marquess Philippe de Montalt: let all such, therefore, be informed, that the person here introduced to their notice was that individual Pierre de la Motte.

As Madame de la Motte leaned from the coach window, and gave a last look to the walls of Paris--Paris, the scene of her former happiness, and the residence of many dear friends--the fortitude, which had till now supported her, yielding to the force of grief--Farewell all! sighed she, this last look and we are separated for ever! Tears followed her words, and, sinking back, she resigned herself to the stillness of sorrow. The recollection of former times pressed heavily upon her heart; a few months before and she was surrounded by friends, fortune, and consequence; now she was deprived of all, a miserable exile from her native place, without home, without comfort--almost without hope. It was not the least of her afflictions that she had been obliged to quit Paris without bidding adieu to her only son, who was now on duty with his regiment in Germany; and such had been the precipitancy of this removal, that had she even known where he was stationed, she had no time to inform him of it, or of the alteration in his father's circumstances.

Pierre de la Motte was a gentleman, descended from an ancient house of France. He was a man whose passions often overcame his reason, and, for a time, silenced his conscience; but though the image of virtue, which nature had impressed upon his heart, was sometimes obscured by the passing influence of vice, it was never wholly obliterated. With strength of mind sufficient to have withstood temptation, he would have been a good man; as it was, he was always a weak, and sometimes a vicious member of society; yet his mind was active, and his imagination vivid, which co-operating with the force of passion, often dazzled his judgment and subdued principle. Thus he was a man, infirm in purpose and visionary in virtue:--in a word, his conduct was suggested by feeling, rather than principle; and his virtue, such as it was, could not stand the pressure of occasion.

Early in life he had married Constance Valentia, a beautiful and elegant woman, attached to her family and beloved by them. Her birth was equal, her fortune superior to his; and their nuptials had been celebrated under the auspices of an approving and flattering world. Her heart was devoted to La Motte, and, for some time, she found in him an affectionate husband; but, allured by the gaieties of Paris, he was soon devoted to its luxuries, and in a few years his fortune and affection were equally lost in dissipation. A false pride had still operated against his interest, and withheld him from honourable retreat while it was yet in his power: the habits which he had acquired, enchained him to the scene of his former pleasure; and thus he had continued an expensive style of life till the means of prolonging it were exhausted. He at length awoke from this lethargy of security; but it was only to plunge into new error, and to attempt schemes for the reparation of his fortune, which served to sink him deeper in destruction. The consequence of a transaction, in which he thus engaged, now drove him, with the small wreck of his property, into dangerous and ignominious exile.

Preview chapterCHAPTER IIIPreview

Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The season's difference, as the icy fang And churlish chiding of the winter's wind.

SHAKSPEARE.

La Motte arranged his little plan of living. His mornings were usually spent in shooting or fishing, and the dinner, thus provided by his industry, he relished with a keener appetite than had ever attended him at the luxurious tables of Paris. The afternoons he passed with his family: sometimes he would select a book from the few he had brought with him, and endeavoured to fix his attention to the words his lips repeated:--but his mind suffered little abstraction from its own cares, and the sentiment he pronounced left no trace behind it. Sometimes he conversed, but oftener sat in gloomy silence, musing upon the past, or anticipating the future.

At these moments, Adeline, with a sweetness almost irresistible, endeavoured to enliven his spirits, and to withdraw him from himself. Seldom she succeeded; but when she did, the grateful looks of Madame La Motte, and the benevolent feelings of her own bosom, realized the cheerfulness she had at first only assumed. Adeline's mind had the happy art, or, perhaps, it were more just to say, the happy nature, of accommodating itself to her situation. Her present condition, though forlorn, was not devoid of comfort, and this comfort was confirmed by her virtues. So much she won upon the affections of her protectors, that Madame La Motte loved her as her child, and La Motte himself, though a man little susceptible of tenderness, could not be insensible to her solicitudes. Whenever he relaxed from the sullenness of misery, it was at the influence of Adeline.

Peter regularly brought a weekly supply of provisions from Auboine, and, on those occasions, always quitted the town by a route contrary to that leading to the abbey. Several weeks having passed without molestation, La Motte dismissed all apprehension of pursuit, and at length became tolerably reconciled to the complexion of his circumstances.

As habit and effort strengthened the fortitude of Madame La Motte, the features of misfortune appeared to soften. The forest, which at first seemed to her a frightful solitude, had lost its terrific aspect; and that edifice, whose half demolished walls and gloomy desolation had struck her mind with the force of melancholy and dismay, was now beheld as a domestic asylum, and a safe refuge from the storms of power.

She was a sensible and highly accomplished woman, and it became her chief delight to form the rising graces of Adeline, who had, as has been already shown, a sweetness of disposition, which made her quick to repay instruction with improvement, and indulgence with love. Never was Adeline so pleased as when she anticipated her wishes, and never so diligent as when she was employed in her business. The little affairs of the household she overlooked and managed with such admirable exactness, that Madame La Motte had neither anxiety nor care concerning them. And Adeline formed for herself in this barren situation, many amusements that occasionally banished the remembrance of her misfortunes. La Motte's books were her chief consolation. With one of these she would frequently ramble into the forest, where the river, winding through a glade, diffused coolness, and with its murmuring accents invited repose: there she would seat herself, and, resigned to the illusions of the page, pass many hours in oblivion of sorrow.

Here too, when her mind was tranquillized by the surrounding scenery, she wooed the gentle muse, and indulged in ideal happiness. The delight of these moments she commemorated in the following address:

TO THE VISIONS OF FANCY.

Dear, wild illusions of creative mind! Whose varying hues arise to Fancy's art, And by her magic force are swift combined In forms that please, and scenes that touch the heart: Oh! whether at her voice ye soft assume The pensive grace of sorrow drooping low; Or rise sublime on terror's lofty plume, And shake the soul with wildly thrilling woe; Or, sweetly bright, your gayer tints ye spread, Bid scenes of pleasures steal upon my view, Love wave his purple pinions o'er my head, And wake the tender thought to passion true. O! still----ye shadowy forms! attend my lonely hours, Still chase my real cares with your illusive powers!

Table of contents

Inside this edition

  1. 01Full text
  2. 02CHAPTER I
  3. 03CHAPTER III
  4. 04CHAPTER V
  5. 05CHAPTER VI
  6. 06CHAPTER VII
  7. 07CHAPTER IX
  8. 08CHAPTER X
  9. 09CHAPTER XI
  10. 10CHAPTER XII
  11. 11CHAPTER XIII
  12. 12CHAPTER XIV
  13. 13CHAPTER XV
  14. 14CHAPTER XVI
  15. 15CHAPTER XVII
  16. 16CHAPTER XVIII
  17. 17CHAPTER XIX
  18. 18CHAPTER XX
  19. 19CHAPTER XXI
  20. 20CHAPTER XXII
  21. 21CHAPTER XXIII
  22. 22CHAPTER XXIV
  23. 23CHAPTER XXVI

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