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Literature
The Ruling Passion
English BooksWhale Edition by Henry van Dyke
Eight stories explore music, courage, justice, devotion, and the desires that shape ordinary lives in remote communities.
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Book introduction
The Ruling Passion
Henry van Dyke builds these eight stories around the passions that give individual lives their direction. Musicians, guides, seafarers and members of small communities face choices involving courage, loyalty, justice and love. The settings combine outdoor landscapes with intimate encounters, while the collection explores the difference between an admirable commitment and the costs that commitment may carry for others.
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Why this edition can be shared
Henry van Dyke died in 1933. This edition uses the public-domain English original from Project Gutenberg, without later editorial notes or illustrations.
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Preview chapterA WRITER’S REQUEST OF HIS MASTERRead preview
Let me never tag a moral to a story, nor tell a story without a meaning. Make me respect my material so much that I dare not slight my work. Help me to deal very honestly with words and with people because they are both alive. Show me that as in a river, so in a writing, clearness is the best quality, and a little that is pure is worth more than much that is mixed. Teach me to see the local colour without being blind to the inner light. Give me an ideal that will stand the strain of weaving into human stuff on the loom of the real. Keep me from caring more for books than for folks, for art than for life. Steady me to do my full stint of work as well as I can: and when that is done, stop me, pay what wages Thou wilt, and help me to say, from a quiet heart, a grateful AMEN.
Preview chapterPREFACEPreview
In every life worth writing about there is a ruling passion,—“the very pulse of the machine.” Unless you touch that, you are groping around outside of reality.
Sometimes it is romantic love: Natures masterpiece of interested benevolence. In almost all lives this passion has its season of empire. Therefore, and rightly, it is the favourite theme of the storyteller. Romantic love interests almost everybody, because almost everybody knows something about it, or would like to know.
But there are other passions, no less real, which also have their place and power in human life. Some of them come earlier, and sometimes they last longer, than romantic love. They play alongside of it and are mixed up with it, now checking it, now advancing its flow and tingeing it with their own colour.
Just because love is so universal, it is often to one of the other passions that we must look for the distinctive hue, the individual quality of a life-story. Granted, if you will, that everybody must fall in love, or ought to fall in love, How will he do it? And what will he do afterwards? These are questions not without interest to one who watches the human drama as a friend. The answers depend upon those hidden and durable desires, affections, and impulses to which men and women give themselves up for rule and guidance.
Music, nature, children, honour, strife, revenge, money, pride, friendship, loyalty, duty,—to these objects and others like them the secret power of personal passion often turns, and the life unconsciously follows it, as the tides in the sea follow the moon in the sky.
When circumstances cross the ruling passion, when rocks lie in the way and winds are contrary, then things happen, characters emerge, slight events are significant, mere adventures are transformed into a real plot. What care I how many “hair-breadth ‘scapes” and “moving accidents” your hero may pass through, unless I know him for a man? He is but a puppet strung on wires. His kisses are wooden and his wounds bleed sawdust. There is nothing about him to remember except his name, and perhaps a bit of dialect. Kill him or crown him,—what difference does it make?
But go the other way about your work:
“Take the least man of all mankind, as I; Look at his head and heart, find how and why He differs from his fellows utterly,”—
and now there is something to tell, with a meaning.
If you tell it at length, it is a novel,—a painting. If you tell it in brief, it is a short story,—an etching. But the subject is always the same: the unseen, mysterious, ruling passion weaving the stuff of human nature into patterns wherein the soul is imaged and revealed.
To tell about some of these ruling passions, simply, clearly, and concretely, is what I want to do in this book. The characters are chosen, for the most part, among plain people, because their feelings are expressed with fewer words and greater truth, not being costumed for social effect. The scene is laid on Nature’s stage because I like to be out-of-doors, even when I am trying to think and learning to write.
“Avalon,” Princeton, July 22, 1901.
CONTENTS
A WRITER’S REQUEST OF HIS MASTER
PREFACE
I. A LOVER OF MUSIC
I
II
III
IV
II. THE REWARD OF VIRTUE
I
II
III
IV
III. A BRAVE HEART
I
II
III
IV. THE GENTLE LIFE
V. A FRIEND OF JUSTICE
I
II
III
VI. THE WHITE BLOT
I
II
III
VII. A YEAR OF NOBILITY
I
II
III
VIII. THE KEEPER OF THE LIGHT
I
II
III
IV
Preview chapterI. A LOVER OF MUSICPreview
I. A LOVER OF MUSIC
Table of contents
Inside this edition
- 01A WRITER’S REQUEST OF HIS MASTER
- 02PREFACE
- 03I. A LOVER OF MUSIC
- 04I
- 05II
- 06III
- 07IV
- 08II. THE REWARD OF VIRTUE
- 09I
- 10II
- 11III
- 12IV
- 13III. A BRAVE HEART
- 14I
- 15II
- 16III
- 17IV. THE GENTLE LIFE
- 18V. A FRIEND OF JUSTICE
- 19I
- 20II
- 21III
- 22VI. THE WHITE BLOT
- 23I
- 24II
- 25III
- 26VII. A YEAR OF NOBILITY
- 27I
- 28II
- 29III
- 30VIII. THE KEEPER OF THE LIGHT
- 31I
- 32II
- 33III
- 34IV
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