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Moby-Dick

Edición BooksWhale en inglés de Herman Melville

A sea voyage turned metaphysical quest, obsessed with whales, fate, language, and Captain Ahab’s will.

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Moby-Dick

Herman Melville’s Moby-Dick begins as a whaling adventure and expands into a vast meditation on obsession, knowledge, labor, nature, race, and the limits of human interpretation. Ahab’s pursuit of the white whale becomes one of literature’s great images of destructive certainty.

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Herman Melville died in 1891; the source text is public domain.

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Moby-Dick; or, The Whale

Herman Melville

Capítulo de vista previaCHAPTER 1. LoomingsVista previa

Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme down-town is the Battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?

But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?

Once more. Say, you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and make him the own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.

Capítulo de vista previaCHAPTER 2. The Carpet-BagVista previa

I stuffed a shirt or two into my old carpet-bag, tucked it under my arm, and started for Cape Horn and the Pacific. Quitting the good city of old Manhatto, I duly arrived in New Bedford. It was on a Saturday night in December. Much was I disappointed upon learning that the little packet for Nantucket had already sailed, and that no way of reaching that place would offer, till the following Monday.

As most young candidates for the pains and penalties of whaling stop at this same New Bedford, thence to embark on their voyage, it may as well be related that I, for one, had no idea of so doing. For my mind was made up to sail in no other than a Nantucket craft, because there was a fine, boisterous something about everything connected with that famous old island, which amazingly pleased me. Besides though New Bedford has of late been gradually monopolizing the business of whaling, and though in this matter poor old Nantucket is now much behind her, yet Nantucket was her great original—the Tyre of this Carthage;—the place where the first dead American whale was stranded. Where else but from Nantucket did those aboriginal whalemen, the Red-Men, first sally out in canoes to give chase to the Leviathan? And where but from Nantucket, too, did that first adventurous little sloop put forth, partly laden with imported cobble-stones—so goes the story—to throw at the whales, in order to discover when they were nigh enough to risk a harpoon from the bowsprit?

Now having a night, a day, and still another night following before me in New Bedford, ere I could embark for my destined port, it became a matter of concernment where I was to eat and sleep meanwhile. It was a very dubious-looking, nay, a very dark and dismal night, bitingly cold and cheerless. I knew no one in the place. With anxious grapnels I had sounded my pocket, and only brought up a few pieces of silver,—So, wherever you go, Ishmael, said I to myself, as I stood in the middle of a dreary street shouldering my bag, and comparing the gloom towards the north with the darkness towards the south—wherever in your wisdom you may conclude to lodge for the night, my dear Ishmael, be sure to inquire the price, and don’t be too particular.

With halting steps I paced the streets, and passed the sign of “The Crossed Harpoons”—but it looked too expensive and jolly there. Further on, from the bright red windows of the “Sword-Fish Inn,” there came such fervent rays, that it seemed to have melted the packed snow and ice from before the house, for everywhere else the congealed frost lay ten inches thick in a hard, asphaltic pavement,—rather weary for me, when I struck my foot against the flinty projections, because from hard, remorseless service the soles of my boots were in a most miserable plight. Too expensive and jolly, again thought I, pausing one moment to watch the broad glare in the street, and hear the sounds of the tinkling glasses within. But go on, Ishmael, said I at last; don’t you hear? get away from before the door; your patched boots are stopping the way. So on I went. I now by instinct followed the streets that took me waterward, for there, doubtless, were the cheapest, if not the cheeriest inns.

Such dreary streets! blocks of blackness, not houses, on either hand, and here and there a candle, like a candle moving about in a tomb. At this hour of the night, of the last day of the week, that quarter of the town proved all but deserted. But presently I came to a smoky light proceeding from a low, wide building, the door of which stood invitingly open. It had a careless look, as if it were meant for the uses of the public; so, entering, the first thing I did was to stumble over an ash-box in the porch. Ha! thought I, ha, as the flying particles almost choked me, are these ashes from that destroyed city, Gomorrah? But “The Crossed Harpoons,” and “The Sword-Fish?”—this, then, must needs be the sign of “The Trap.” However, I picked myself up and hearing a loud voice within, pushed on and opened a second, interior door.

Índice

Dentro de esta edición

  1. 01Full text
  2. 02CHAPTER 1. Loomings
  3. 03CHAPTER 2. The Carpet-Bag
  4. 04CHAPTER 3. The Spouter-Inn
  5. 05CHAPTER 4. The Counterpane
  6. 06CHAPTER 5. Breakfast
  7. 07CHAPTER 6. The Street
  8. 08CHAPTER 7. The Chapel
  9. 09CHAPTER 8. The Pulpit
  10. 10CHAPTER 9. The Sermon
  11. 11CHAPTER 10. A Bosom Friend
  12. 12CHAPTER 11. Nightgown
  13. 13CHAPTER 12. Biographical
  14. 14CHAPTER 13. Wheelbarrow
  15. 15CHAPTER 14. Nantucket
  16. 16CHAPTER 15. Chowder
  17. 17CHAPTER 16. The Ship
  18. 18CHAPTER 17. The Ramadan
  19. 19CHAPTER 18. His Mark
  20. 20CHAPTER 19. The Prophet
  21. 21CHAPTER 20. All Astir
  22. 22CHAPTER 21. Going Aboard
  23. 23CHAPTER 22. Merry Christmas
  24. 24CHAPTER 23. The Lee Shore
  25. 25CHAPTER 24. The Advocate
  26. 26CHAPTER 25. Postscript
  27. 27CHAPTER 26. Knights and Squires
  28. 28CHAPTER 27. Knights and Squires
  29. 29CHAPTER 28. Ahab
  30. 30CHAPTER 29. Enter Ahab; to him, Stubb
  31. 31CHAPTER 30. The Pipe
  32. 32CHAPTER 31. Queen Mab
  33. 33CHAPTER 32. Cetology
  34. 34CHAPTER 33. The Specksynder
  35. 35CHAPTER 34. The Cabin-Table
  36. 36CHAPTER 35. The Mast-Head
  37. 37CHAPTER 36. The Quarter-Deck
  38. 38CHAPTER 37. Sunset
  39. 39CHAPTER 38. Dusk
  40. 40CHAPTER 39. First Night-Watch
  41. 41CHAPTER 40. Midnight, Forecastle
  42. 42CHAPTER 41. Moby Dick
  43. 43CHAPTER 42. The Whiteness of the Whale
  44. 44CHAPTER 43. Hark!
  45. 45CHAPTER 44. The Chart
  46. 46CHAPTER 45. The Affidavit
  47. 47CHAPTER 46. Surmises
  48. 48CHAPTER 47. The Mat-Maker
  49. 49CHAPTER 48. The First Lowering
  50. 50CHAPTER 49. The Hyena
  51. 51CHAPTER 50. Ahab’s Boat and Crew • Fedallah
  52. 52CHAPTER 51. The Spirit-Spout
  53. 53CHAPTER 52. The Albatross
  54. 54CHAPTER 53. The Gam
  55. 55CHAPTER 54. The Town-Ho’s Story
  56. 56CHAPTER 55. Of the Monstrous Pictures of Whales
  57. 57CHAPTER 56. Of the Less Erroneous Pictures of Whales, and the True Pictures of Whaling Scenes
  58. 58CHAPTER 57. Of Whales in Paint; in Teeth; in Wood; in Sheet-Iron; in Stone; in Mountains; in Stars
  59. 59CHAPTER 58. Brit
  60. 60CHAPTER 59. Squid
  61. 61CHAPTER 60. The Line
  62. 62CHAPTER 61. Stubb kills a Whale
  63. 63CHAPTER 62. The Dart
  64. 64CHAPTER 63. The Crotch
  65. 65CHAPTER 64. Stubb’s Supper
  66. 66CHAPTER 65. The Whale as a Dish
  67. 67CHAPTER 66. The Shark Massacre
  68. 68CHAPTER 67. Cutting In
  69. 69CHAPTER 68. The Blanket
  70. 70CHAPTER 69. The Funeral
  71. 71CHAPTER 70. The Sphynx
  72. 72CHAPTER 71. The Jeroboam’s Story
  73. 73CHAPTER 72. The Monkey-rope
  74. 74CHAPTER 73. Stubb and Flask kill a Right Whale; and Then Have a Talk over Him
  75. 75CHAPTER 74. The Sperm Whale’s Head—Contrasted View
  76. 76CHAPTER 75. The Right Whale’s Head—Contrasted View
  77. 77CHAPTER 76. The Battering-Ram
  78. 78CHAPTER 77. The Great Heidelburgh Tun
  79. 79CHAPTER 78. Cistern and Buckets
  80. 80CHAPTER 79. The Prairie
  81. 81CHAPTER 80. The Nut
  82. 82CHAPTER 81. The Pequod meets the Virgin
  83. 83CHAPTER 82. The Honor and Glory of Whaling
  84. 84CHAPTER 83. Jonah Historically Regarded
  85. 85CHAPTER 84. Pitchpoling
  86. 86CHAPTER 85. The Fountain
  87. 87CHAPTER 86. The Tail
  88. 88CHAPTER 87. The Grand Armada
  89. 89CHAPTER 88. Schools and Schoolmasters
  90. 90CHAPTER 89. Fast-Fish and Loose-Fish
  91. 91CHAPTER 90. Heads or Tails
  92. 92CHAPTER 91. The Pequod meets the Rose-bud
  93. 93CHAPTER 92. Ambergris
  94. 94CHAPTER 93. The Castaway
  95. 95CHAPTER 94. A Squeeze of the Hand
  96. 96CHAPTER 95. The Cassock
  97. 97CHAPTER 96. The Try-Works
  98. 98CHAPTER 97. The Lamp
  99. 99CHAPTER 98. Stowing Down and Clearing Up
  100. 100CHAPTER 99. The Doubloon
  101. 101CHAPTER 100. Leg and Arm • The Pequod, of Nantucket, meets the Samuel Enderby, of London
  102. 102CHAPTER 101. The Decanter
  103. 103CHAPTER 102. A Bower in the Arsacides
  104. 104CHAPTER 103. Measurement of the Whale’s Skeleton
  105. 105CHAPTER 104. The Fossil Whale
  106. 106CHAPTER 105. Does the Whale’s Magnitude Dimimish?—Will He Perish?
  107. 107CHAPTER 106. Ahab’s Leg
  108. 108CHAPTER 107. The Carpenter
  109. 109CHAPTER 108. Ahab and the Carpenter
  110. 110CHAPTER 109. Ahab and Starbuck in the Cabin
  111. 111CHAPTER 110. Queequeg in his Coffin
  112. 112CHAPTER 111. The Pacific
  113. 113CHAPTER 112. The Blacksmith
  114. 114CHAPTER 113. The Forge
  115. 115CHAPTER 114. The Gilder
  116. 116CHAPTER 115. The Pequod meets the Bachelor
  117. 117CHAPTER 116. The Dying Whale
  118. 118CHAPTER 117. The Whale Watch
  119. 119CHAPTER 118. The Quadrant
  120. 120CHAPTER 119. The Candles
  121. 121CHAPTER 120. The Deck towards the End of the First Night Watch
  122. 122CHAPTER 121. Midnight—The Forecastle Bulwarks
  123. 123CHAPTER 122. Midnight Aloft—Thunder and Lightning
  124. 124CHAPTER 123. The Musket
  125. 125CHAPTER 124. The Needle
  126. 126CHAPTER 125. The Log and Line
  127. 127CHAPTER 126. The Life-Buoy
  128. 128CHAPTER 127. The Deck
  129. 129CHAPTER 128. The Pequod meets the Rachel
  130. 130CHAPTER 129. The Cabin
  131. 131CHAPTER 130. The Hat
  132. 132CHAPTER 131. The Pequod meets the Delight
  133. 133CHAPTER 132. The Symphony
  134. 134CHAPTER 133. The Chase—First Day
  135. 135CHAPTER 134. The Chase—Second Day
  136. 136CHAPTER 135. The Chase—Third Day
  137. 137EPILOGUE

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