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Sartor Resartus

Edición BooksWhale en inglés de Thomas Carlyle

Carlyle’s strange philosophical satire on clothes, belief, symbols, and spiritual crisis.

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Sartor Resartus

“Sartor Resartus” presents the fictional philosophy of Diogenes Teufelsdröckh, turning clothing into a metaphor for culture, institutions, and faith. Carlyle’s hybrid of essay, satire, and spiritual autobiography helped shape Victorian thought.

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Sartor Resartus is a public-domain work: the author died in 1881, and the text was first published in 1836. This edition uses the original English text.

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Sartor Resartus

The Life and Opinions of Herr Teufelsdrockh

By Thomas Carlyle.

Capítulo de vista previaBOOK I.Vista previa

BOOK I.

Capítulo de vista previaCHAPTER I. PRELIMINARY.Vista previa

Considering our present advanced state of culture, and how the Torch of Science has now been brandished and borne about, with more or less effect, for five thousand years and upwards; how, in these times especially, not only the Torch still burns, and perhaps more fiercely than ever, but innumerable Rushlights, and Sulphur-matches, kindled thereat, are also glancing in every direction, so that not the smallest cranny or dog-hole in Nature or Art can remain unilluminated,--it might strike the reflective mind with some surprise that hitherto little or nothing of a fundamental character, whether in the way of Philosophy or History, has been written on the subject of Clothes.

Our Theory of Gravitation is as good as perfect: Lagrange, it is well known, has proved that the Planetary System, on this scheme, will endure forever; Laplace, still more cunningly, even guesses that it could not have been made on any other scheme. Whereby, at least, our nautical Logbooks can be better kept; and water-transport of all kinds has grown more commodious. Of Geology and Geognosy we know enough: what with the labors of our Werners and Huttons, what with the ardent genius of their disciples, it has come about that now, to many a Royal Society, the Creation of a World is little more mysterious than the cooking of a dumpling; concerning which last, indeed, there have been minds to whom the question, _How the apples were got in_, presented difficulties. Why mention our disquisitions on the Social Contract, on the Standard of Taste, on the Migrations of the Herring? Then, have we not a Doctrine of Rent, a Theory of Value; Philosophies of Language, of History, of Pottery, of Apparitions, of Intoxicating Liquors? Man's whole life and environment have been laid open and elucidated; scarcely a fragment or fibre of his Soul, Body, and Possessions, but has been probed, dissected, distilled, desiccated, and scientifically decomposed: our spiritual Faculties, of which it appears there are not a few, have their Stewarts, Cousins, Royer Collards: every cellular, vascular, muscular Tissue glories in its Lawrences, Majendies, Bichats.

How, then, comes it, may the reflective mind repeat, that the grand Tissue of all Tissues, the only real Tissue, should have been quite overlooked by Science,--the vestural Tissue, namely, of woollen or other cloth; which Man's Soul wears as its outmost wrappage and overall; wherein his whole other Tissues are included and screened, his whole Faculties work, his whole Self lives, moves, and has its being? For if, now and then, some straggling broken-winged thinker has cast an owl's glance into this obscure region, the most have soared over it altogether heedless; regarding Clothes as a property, not an accident, as quite natural and spontaneous, like the leaves of trees, like the plumage of birds. In all speculations they have tacitly figured man as _a Clothed Animal_; whereas he is by nature a _Naked Animal_; and only in certain circumstances, by purpose and device, masks himself in Clothes. Shakespeare says, we are creatures that look before and after: the more surprising that we do not look round a little, and see what is passing under our very eyes.

But here, as in so many other cases, Germany, learned, indefatigable, deep-thinking Germany comes to our aid. It is, after all, a blessing that, in these revolutionary times, there should be one country where abstract Thought can still take shelter; that while the din and frenzy of Catholic Emancipations, and Rotten Boroughs, and Revolts of Paris, deafen every French and every English ear, the German can stand peaceful on his scientific watch-tower; and, to the raging, struggling multitude here and elsewhere, solemnly, from hour to hour, with preparatory blast of cow-horn, emit his _Horet ihr Herren und lasset's Euch sagen_; in other words, tell the Universe, which so often forgets that fact, what o'clock it really is. Not unfrequently the Germans have been blamed for an unprofitable diligence; as if they struck into devious courses, where nothing was to be had but the toil of a rough journey; as if, forsaking the gold-mines of finance and that political slaughter of fat oxen whereby a man himself grows fat, they were apt to run goose-hunting into regions of bilberries and crowberries, and be swallowed up at last in remote peat-bogs. Of that unwise science, which, as our Humorist expresses it,

Índice

Dentro de esta edición

  1. 01Full text
  2. 02BOOK I.
  3. 03CHAPTER I. PRELIMINARY.
  4. 04CHAPTER II. EDITORIAL DIFFICULTIES.
  5. 05CHAPTER III. REMINISCENCES.
  6. 06CHAPTER IV. CHARACTERISTICS.
  7. 07CHAPTER V. THE WORLD IN CLOTHES.
  8. 08CHAPTER VI. APRONS.
  9. 09CHAPTER VII. MISCELLANEOUS-HISTORICAL.
  10. 10CHAPTER VIII. THE WORLD OUT OF CLOTHES.
  11. 11CHAPTER IX. ADAMITISM.
  12. 12CHAPTER X. PURE REASON.
  13. 13CHAPTER XI. PROSPECTIVE.
  14. 14BOOK II.
  15. 15CHAPTER I. GENESIS.
  16. 16CHAPTER II. IDYLLIC.
  17. 17CHAPTER III. PEDAGOGY.
  18. 18CHAPTER IV. GETTING UNDER WAY.
  19. 19CHAPTER V. ROMANCE.
  20. 20CHAPTER VI. SORROWS OF TEUFELSDROCKH.
  21. 21CHAPTER VII. THE EVERLASTING NO.
  22. 22CHAPTER VIII. CENTRE OF INDIFFERENCE.
  23. 23CHAPTER IX. THE EVERLASTING YEA.
  24. 24CHAPTER X. PAUSE.
  25. 25BOOK III.
  26. 26CHAPTER I. INCIDENT IN MODERN HISTORY.
  27. 27CHAPTER II. CHURCH-CLOTHES.
  28. 28CHAPTER III. SYMBOLS.
  29. 29CHAPTER IV. HELOTAGE.
  30. 30CHAPTER V. THE PHOENIX.
  31. 31CHAPTER VI. OLD CLOTHES.
  32. 32CHAPTER VII. ORGANIC FILAMENTS.
  33. 33CHAPTER VIII. NATURAL SUPERNATURALISM.
  34. 34CHAPTER IX. CIRCUMSPECTIVE.
  35. 35CHAPTER X. THE DANDIACAL BODY.
  36. 36ARTICLES OF FAITH.
  37. 37POOR-SLAVE HOUSEHOLD.
  38. 38DANDIACAL HOUSEHOLD.
  39. 39CHAPTER XI. TAILORS.
  40. 40CHAPTER XII. FAREWELL.
  41. 41APPENDIX.
  42. 42TESTIMONIES OF AUTHORS.
  43. 43I. HIGHEST CLASS, BOOKSELLER'S TASTER.
  44. 44II. CRITIC OF THE SUN.
  45. 45III. NORTH--AMERICAN REVIEWER.
  46. 46IV. NEW ENGLAND EDITORS.
  47. 47SUNT, FUERUNT VEL FUERE.

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