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Vathek
Edición BooksWhale en inglés de William Beckford
A dark Gothic Oriental tale of forbidden knowledge, ambition, luxury, and damnation.
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Vathek
Vathek follows a powerful caliph whose hunger for forbidden knowledge draws him toward supernatural temptation and ruin. Beckford’s compact Gothic fantasy blends exotic spectacle, moral fable, satire, and the eerie grandeur of early fantastic literature.
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Esta edición se basa en un texto de dominio público y fue preparada por BooksWhale para lectura digital.
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William Beckford died in 1844, and Vathek was first published in English in 1786; these dates support the public-domain basis for this original-language edition.
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Vathek
William Beckford
VATHEK, ninth Caliph of the race of the Abassides, was the son of Motassem, and the grandson of Haroun Al Raschid. From an early accession to the throne, and the talents he possessed to adorn it, his subjects were induced to expect that his reign would be long and happy. His figure was pleasing and majestic; but when he was angry, one of his eyes became so terrible that no person could bear to behold it; and the wretch upon whom it was fixed instantly fell backward, and sometimes expired. For fear, however, of depopulating his dominions, and making his palace desolate, he but rarely gave way to his anger.
Being much addicted to women, and the pleasures of the table, he sought by his affability to procure agreeable companions; and he succeeded the better, as his generosity was unbounded and his indulgences unrestrained; for he was by no means scrupulous: nor did he think, with the Caliph Omar Ben Abdalaziz, that it was necessary to make a hell of this world to enjoy Paradise in the next.
He surpassed in magnificence all his predecessors. The palace of Alkoremmi, which his father Motassem had erected on the hill of Pied Horses, and which commanded the whole city of Samarah, was in his idea far too scanty: he added, therefore, five wings, or rather other palaces, which he destined for the particular gratification of each of his senses.
In the first of these were tables continually covered with the most exquisite dainties, which were supplied both by night and by day according to their constant consumption; whilst the most delicious wines, and the choicest cordials, flowed forth from a hundred fountains, that were never exhausted. This palace was called “The Eternal, or Unsatiating Banquet.”
The second was styled “The Temple of Melody, or the Nectar of the Soul.” It was inhabited by the most skilful musicians and admired poets of the time, who not only displayed their talents within, but dispersing in bands without, caused every surrounding scene to reverberate their songs, which were continually varied in the most delightful succession.
The palace named “The Delight of the Eyes, or the Support of Memory,” was one entire enchantment. Rarities collected from every corner of the earth were there found in such profusion as to dazzle and confound, but for the order in which they were arranged. One gallery exhibited the pictures of the celebrated Mani; and statues that seemed to be alive. Here a well-managed perspective attracted the sight; there, the magic of optics agreeably deceived it; whilst the naturalist, on his part, exhibited in their several classes the various gifts that heaven had bestowed on our globe. In a word, Vathek omitted nothing in this particular that might gratify the curiosity of those who resorted to it, although he was not able to satisfy his own; for he was, of all men, the most curious.
“The Palace of Perfumes,” which was termed likewise, “The Incentive to Pleasure,” consisted of various halls, where the different perfumes which the earth produces were kept perpetually burning in censers of gold. Flambeaus and aromatic lamps were here lighted in open day; but the too powerful effects of this agreeable delirium might be avoided by descending into an immense garden, where an assemblage of every fragrant flower diffused through the air the purest odours.
The fifth palace, denominated “The Retreat of Joy, or the Dangerous,” was frequented by troops of young females, beautiful as the Houris, and not less seducing, who never failed to receive with caresses all whom the Caliph allowed to approach them; for he was by no means disposed to be jealous, as his own women were secluded within the palace he inhabited himself.
Notwithstanding the sensuality in which Vathek indulged, he experienced no abatement in the love of his people, who thought that a sovereign immersed in pleasure was not less tolerable to his subjects than one that employed himself in creating them foes. But the unquiet and impetuous disposition of the Caliph would not allow him to rest there: he had studied so much for his amusement in the life-time of his father as to acquire a great deal of knowledge, though not a sufficiency to satisfy himself; for he wished to know everything; even sciences that did not exist. He was fond of engaging in disputes with the learned, but liked them not to push their opposition with warmth. He stopped the mouths of those with presents, whose mouths could be stopped; whilst others, whom his liberality was unable to subdue, he sent to prison to cool their blood; a remedy that often succeeded.
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Instantaneously, the haughty forehead of the intrepid princess became corrugated with agony; she uttered a tremendous yell, and fixed—no more to be withdrawn—her right hand upon her heart, which was become a receptacle of eternal fire.
In this delirium, forgetting all ambitious projects, and her thirst for that knowledge which should ever be hidden from mortals, she overturned the offerings of the Genii; and, having execrated the hour she was begotten, and the womb that had borne her, glanced off in a whirl that rendered her invisible, and continued to revolve without intermission.
At almost the same instant, the same voice announced to the Caliph, Nouronihar, the five princes, and the princess, the awful and irrevocable decree. Their hearts immediately took fire, and they at once lost the most precious of the gifts of heaven—HOPE. These unhappy beings recoiled, with looks of the most furious distraction. Vathek beheld in the eyes of Nouronihar nothing but rage and vengeance; nor could she discern ought in his but aversion and despair. The two princes who were friends, and till that moment had preserved their attachment, shrunk back, gnashing their teeth with mutual and unchangeable hatred. Kalilah and his sister made reciprocal gestures of imprecation; whilst the two other princes testified their horror for each other by the most ghastly convulsions, and screams that could not be smothered. All severally plunged themselves into the accursed multitude, there to wander in an eternity of unabating anguish.
Such was, and such should be, the punishment of unrestrained passions, and atrocious actions. Such is, and such should be, the chastisement of blind ambition, that would transgress those bounds which the Creator hath prescribed to human knowledge, and by aiming at discoveries reserved for pure intelligence, acquire that infatuated pride, which perceives not the condition appointed to man is, TO BE IGNORANT AND HUMBLE.
Thus the CALIPH VATHEK who, for the sake of empty pomp and forbidden power, hath sullied himself with a thousand crimes, became a prey to grief without end, and remorse without mitigation; whilst the humble and despised GULCHENROUZ passed whole ages in undisturbed tranquillity, and the pure happiness of childhood.
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