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Headlong Hall

Édition BooksWhale en anglais par Thomas Love Peacock

A witty country-house satire of systems, reformers, appetite, and argument.

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Introduction du livre

Headlong Hall

Headlong Hall gathers philosophers, reformers, romantics, and eccentrics around a Welsh country house, where dinner-table debate becomes sparkling comedy. Peacock turns big ideas about progress, nature, education, and pleasure into a brisk satire that still feels lively and sharp.

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Cette édition repose sur un texte du domaine public et a été préparée par BooksWhale pour la lecture numérique.

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Pourquoi cette édition peut être partagée

Thomas Love Peacock died in 1866, and Headlong Hall was first published in 1815; these dates support the public-domain basis for this original-language edition.

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Headlong Hall

Thomas Love Peacock

Chapitre d'aperçuP R E F A C EAperçu

to

"Headlong Hall" and the three novels

published along with it in 1837.

All these little publications appeared originally without prefaces. I left them to speak for themselves; and I thought I might very fitly preserve my own impersonality, having never intruded on the personality of others, nor taken any liberties but with public conduct

and public opinions. But an old friend assures me, that to publish a book without a preface is like entering a drawing-room without making a bow. In deference to this opinion, though I am not quite clear of

its soundness, I make my prefatory bow at this eleventh hour.

"Headlong Hall" was written in 1815; "Nightmare Abbey" in 1817; "Maid

Marian", with the exception of the last three chapters, in 1818;

"Crotchet Castle" in 1830. I am desirous to note the intervals, because, at each of those periods, things were true, in great matters and in small, which are true no longer. "Headlong Hall" begins with

the Holyhead Mail, and "Crotchet Castle" ends with a rotten borough.

The Holyhead mail no longer keeps the same hours, nor stops at the Capel Cerig Inn, which the progress of improvement has thrown out of the road; and the rotten boroughs of 1830 have ceased to exist, though there are some very pretty pocket properties, which are their worthy

successors. But the classes of tastes, feelings, and opinions, which were successively brought into play in these little tales, remain substantially the same. Perfectibilians, deteriorationists, statu-quo-ites, phrenologists, transcendentalists, political economists, theorists in all sciences, projectors in all arts, morbid

visionaries, romantic enthusiasts, lovers of music, lovers of the picturesque, and lovers of good dinners, march, and will march for ever, _pari passu_ with the march of mechanics, which some facetiously call the march of the intellect. The fastidious in old wine are a race

that does not decay. Literary violators of the confidences of private

life still gain a disreputable livelihood and an unenviable notoriety.

Match-makers from interest, and the disappointed in love and in friendship, are varieties of which specimens are extant. The great principle of the Right of Might is as flourishing now as in the days of Maid Marian: the array of false pretensions, moral, political, and

literary, is as imposing as ever: the rulers of the world still feel things in their effects, and never foresee them in their causes: and political mountebanks continue, and will continue, to puff nostrums and practise legerdemain under the eyes of the multitude: following,

like the "learned friend" of Crotchet Castle, a course as tortuous as that of a river, but in a reverse process; beginning by being dark and

deep, and ending by being transparent.

The Author of "Headlong Hall".

_March_ 4, 1837.

Chapitre d'aperçuH E A D L O N G H A L LAperçu

H E A D L O N G H A L L

Table des matières

Dans cette édition

  1. 01Full text
  2. 02P R E F A C E
  3. 03H E A D L O N G H A L L
  4. 04CHAPTER I
  5. 05CHAPTER II
  6. 06CHAPTER III
  7. 07CHAPTER IV
  8. 08CHAPTER V
  9. 09SONG
  10. 10GLEE
  11. 11GRAND CHORUS
  12. 12'OMADOS KAI DOUPOS OROREI'
  13. 13CHAPTER VI
  14. 14LOVE AND OPPORTUNITY
  15. 15CHAPTER VII
  16. 16conclusion.
  17. 17CHAPTER VIII
  18. 18CHAPTER IX
  19. 19CHAPTER X
  20. 20CHAPTER XI
  21. 21CHAPTER XII
  22. 22CHAPTER XIII
  23. 23TERZETTO
  24. 24BALLAD
  25. 25CHORUS
  26. 26CHAPTER XIV
  27. 27CHAPTER XV
  28. 28OICHETAI EIS AIDAO."

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