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Sesame and Lilies

Edizione BooksWhale in inglese di John Ruskin

Ruskin’s influential lectures on reading, books, education, character, gender ideals, and moral culture.

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Sesame and Lilies

Sesame and Lilies presents John Ruskin’s famous lectures on books, reading, education, moral formation, and the cultural duties of men and women. The work helped shape Victorian debates about literature, domestic ideals, public responsibility, and the role of study in character.

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Sesame and Lilies was first published in 1865. Its publication history supports the public-domain basis for this original english text in the United States.

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Sesame and Lilies

John Ruskin

Capitolo in anteprimaSESAME AND LILIESAnteprima

By John Ruskin

Preface to the Later Editions Lecture III. The Mystery of Life and its Arts

Preface to the Later Editions

BEING now fifty-one years old, and little likely to change my mind hereafter on any important subject of thought (unless through weakness of age), I wish to publish a connected series of such parts of my works as now seem to me right, and likely to be of permanent use. In doing so I shall omit much, but not attempt to mend what I think worth reprinting. A young man necessarily writes otherwise than an old one, and it would be worse than wasted time to try to recast the juvenile language: nor is it to be thought that I am ashamed even of what I cancel; for great part of my earlier work was rapidly written for temporary purposes, and is now unnecessary, though true, even to truism. What I wrote about religion, was, on the contrary, painstaking, and, I think, forcible, as compared with most religious writing; especially in its frankness and fearlessness: but it was wholly mistaken: for I had been educated in the doctrines of a narrow sect, and had read history as obliquely as sectarians necessarily must.

Mingled among these either unnecessary or erroneous statements, I find, indeed, some that might be still of value; but these, in my earlier books, disfigured by affected language, partly through the desire to be thought a fine writer, and partly, as in the second volume of ‘Modern Painters,’ in the notion of returning as far as I could to what I thought the better style of old English literature, especially to that of my then favourite, in prose, Richard Hooker.

For these reasons,—though, as respects either art, policy, or morality, as distinct from religion, I not only still hold, but would even wish strongly to re-affirm the substance of what I said in my earliest books,—I shall reprint scarcely anything in this series out of the first and second volumes of ‘Modern Painters’; and shall omit much of the ‘Seven Lamps’ and ‘Stones of Venice’; but all my books written within the last fifteen years will be republished without change, as new editions of them are called for, with here and there perhaps an additional note, and having their text divided, for convenient reference, into paragraphs, consecutive through each volume. I shall also throw together the shorter fragments that bear on each other, and fill in with such unprinted lectures or studies as seem to me worth preserving, so as to keep the volumes, on an average, composed of about a hundred leaves each.

The first book of which a new edition is required chances to be ‘Sesame and Lilies,’ from which I now detach the whole preface, about the Alps, for use elsewhere; and to I which I add a lecture given in Ireland on a subject closely connected with that of the book itself. I am glad that it should be the first of the complete series, for many reasons; though in now looking over these two lectures, I am painfully struck by the waste of good work in them. They cost me much thought, and much strong emotion; but it was foolish to suppose that I could rouse my audiences in a little while to any sympathy with the temper into which I had brought myself by years of thinking over subjects full of pain; while, if I missed my purpose at the time, it was little to be hoped I could attain it afterwards; since phrases written for oral delivery become ineffective when quietly read. Yet I should only take away what good is in them if I tried to translate them into the language of books; nor, indeed, could I at all have done so at the time of their delivery, my thoughts then habitually and impatiently putting themselves into forms fit only for emphatic speech; and thus I am startled, in my review of them, to find that, though there is much, (forgive me the impertinence) which seems to me accurately and energetically said, there is scarcely anything put in a form to be generally convincing, or even easily intelligible: and I can well imagine a reader laying down the book without being at all moved by it, still less guided, to any definite course of action.

Capitolo in anteprimaA FRENCH LADY.Anteprima

_Dec._ 29.

That, then, is the substance of what I would fain say convincingly, if it might be, to my girl friends; at all events with certainty in my own mind that I was thus far a safe guide to them.

For other and older readers it is needful I should write a few words more, respecting what opportunity I have had to judge, or right I have to speak, of such things; for, indeed, too much of what I have said about women has been said in faith only. A wise and lovely English lady told me, when ‘Sesame and Lilies’ first appeared, that she was sure the ‘Sesame’ would be useful, but that in the ‘Lilies’ I had been writing of what I knew nothing about. Which was in a measure too true, and also that it is more partial than my writings are usually: for as Ellesmere spoke his speech on the — intervention, not, indeed, otherwise than he felt, but yet altogether for the sake of Gretchen, so I wrote the ‘Lilies’ to please one girl; and were it not for what I remember of her, and of few besides, should now perhaps recast some of the sentences in the ‘Lilies’ in a very different tone: for as years have gone by, it has chanced to me, untowardly in some respects, fortunately in others (because it enables me to read history more clearly), to see the utmost evil that is in women, while I have had but to believe the utmost good. The best women are indeed necessarily the most difficult to know; they are recognized chiefly in the happiness of their husbands and the nobleness of their children; they are only to be divined, not discerned, by the stranger; and, sometimes, seem almost helpless except in their homes; yet without the help of one of them, to whom this book is dedicated, the day would probably have come before now, when I should have written and thought no more.

On the other hand, the fashion of the time renders whatever is forward, coarse, or senseless, in feminine nature, too palpable to all men:—the weak picturesqueness of my earlier writings brought me acquainted with much of their emptiest enthusiasm; and the chances of later life gave me opportunities of watching women in states of degradation and vindictiveness which opened to me the gloomiest secrets of Greek and Syrian tragedy. I have seen them betray their household charities to lust, their pledged love to devotion; I have seen mothers dutiful to their children, as Medea; and children dutiful to their parents, as the daughter of Herodias: but my trust is still unmoved in the preciousness of the natures that are so fatal in their error, and I leave the words of the ‘Lilies’ unchanged; believing, yet, that no man ever lived a right life who had not been chastened by a woman’s love, strengthened by her courage, and guided by her discretion.

What I might myself have been, so helped, I rarely indulge in the idleness of thinking; but what I am, since I take on me the function of a teacher, it is well that the reader should know, as far as I can tell him.

Not an unjust person; not an unkind one; not a false one; a lover of order, labour, and peace. That, it seems to me, is enough to give me right to say all I care to say on ethical subjects; more, I could only tell definitely through details of autobiography such as none but prosperous and (in the simple sense of the word) faultless lives could justify;—and mine has been neither. Yet, if any one, skilled in reading the torn manuscripts of the human soul, cares for more intimate knowledge of me, he may have it by knowing with what persons in past history I have most sympathy.

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In questa edizione

  1. 01Full text
  2. 02SESAME AND LILIES
  3. 03A FRENCH LADY.
  4. 04DENMARK HILL,
  5. 05book that does not last, and the good one that does. It is a distinction
  6. 06book is essentially not a talking thing, but a written thing; and
  7. 07book of talk is printed only because its author cannot speak to thousands
  8. 08book, you must ask yourself, “Am I inclined to work as an Australian

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